Word: smashes
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Dates: during 1950-1959
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...well over 1,000 live teledramas will have been shown. How staggering these facts are becomes plain on comparison with those of the Broadway theater: there are rarely more than 60 plays a season, most of them duds, and the total long-run audience of a smash hit seldom rises to 4% of the audience of an average TV drama...
This cultural Iron Curtain has long piqued Frederick C. Schang Jr.. president of Columbia Artists Management Inc., who thought the Soviet stars would make a smash hit in the U.S. if they could only be coaxed away from home at the "psychological moment." In 1939 he dickered with Georgy N. Zarubin, Soviet Commissioner to the New York World's Fair, and signed up a team of seven musicians, including Oistrakh and Gilels. He even booked Carnegie Hall for six evenings. Then the U.S.S.R. signed its nonaggression pact with Nazi Germany, and the scheme went up in smoke...
...heedlessly off having a soft-shoe competition with Cagney, and the remorseful widower settles down in Westchester to be a daddy to his justifiably indignant brood. But, at tedious length, he is persuaded by his agent to drag all seven of the urchins into vaudeville. They are a smash hit, and one of the boys improves his backstage hours by becoming an expert crapshooter, another a skilled Peeping Tom. And now Writer-Director Melville Shavelson adds a predictable turn of the dramatic screw: Hope's bitter sister-in-law protests to the Society for the Prevention of Cruelty...
...stage, the individualistic H. D. C. barely managed to present "Fiesta," a play about Mexican peon life, without being banned by the City censors who claimed the show was "crude and immoral." A smash hit at the box office, "Fiesta" included F. K. Smith '30, G. W. Harrington '30, H. G. Meyer '30, P. S. Davis '30, and R. R. Wallstein '30 in its cast...
...Lola, in Broadway's smash new musical Damn Yankees, a relative newcomer named Gwen Verdon (rhymes with spurred on) warms to her work like a flash fire in a dry thicket. Breathing a warning ("Whatever Lola wants, Lola gets . . .") that is already familiar to jukebox listeners all over the nation, she lays siege to her innocent quarry in a hectically eclectic attempt at seduction. No woman's wile is too corny or battle-worn for Lola as she romps about the stage to an insistent Latin rhythm, flinging caution and clothing to the winds. Stretched on a locker...