Word: smile
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Dates: during 1960-1969
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Five Miles to Midnight. In the screaming jangle of a Paris nightclub. Lisa (Sophia Loren) is dancing le twist with head-back abandon. Enter Robert, the husband, whose winsome, small-boy smile reveals instantly that he is Tony Perkins. Moments later. Robert has bared his vicious little ego and in a fit of petulance is smacking the daylights out of Wife Lisa to launch this chilling story of mismatched mates. When Lisa gets the news that Robert's airliner, bound for Casablanca, has crashed near Bordeaux killing all on board, her grief is tempered with relief. Two nights later...
...other artist of the afternoon, danced several moods in her two pieces, "Journey" (her own choreography to the music of Charles Ives) and "Variations." The dancers' immobility of expression was, however, the greatest flaw in "Patterns," the first piece performed by the Dance Circle Company. Knowing when to smile is one mark of a dance artist. Merce Cunningham has it, and this is one of the joys of watching him dance. Miss Trisler showed it too, as she played and teased her way through "Variations...
...Washington's Union Station last week, the Pennsylvania Railroad's ancient private car No. 1750 came to a hesitant stop. Clearly uncertain of the engineer's intentions, King Hassan II of Morocco descended cautiously to the platform, then displayed a big, engaging smile as he shook hands with President John F. Kennedy, and turned with even more warmth to Jackie Kennedy, who was smartly clad in a spring dress and coat, and dark blue straw...
...first Broadway success as the gunman in Robert Sherwood's The Petrified Forest. Dillinger and Bogart looked remarkably alike: both were small and wiry, both had a kind of insolent, scarred good looks, each cultivated a distinctive trademark-Bogart a toothy wince and Dillinger a sarcastic, lopsided smile. Coming to public attention when they did, both became national idols...
...repellent; but there is always a stark force about the Insiders that reaches out to the heart as well as the eye. Jose Mufioz, who at 34 is senior member of the group, explains his own anguished figures with a touch of poetry. "I am interested in finding the smile of a child, tenderness, the most human emotions. What I am painting now is those conditions which prevent these emotions. I am painting a cry of protest. It might cause people to feel a little more pity...