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...viewer?s eyes always go to Kelly?s body; not for nothing is the documentary called "Anatomy of a Dancer." You might start with the face: its cartoon-hero smoothness, with that possibly synthetic Pepsodent smile, is mocked by the crescent of a scar on his left cheek (childhood bike accident). But you?d soon notice his form-fitting couture: the sleeves of a tight white sweater rolled up to expose Popeye forearms or, in the dream sequence of "An American in Paris," the nowhere-to-hide body suit in which he assumes the impossible poses of Toulouse-Lautrec...

Author: /time Magazine | Title: That Old Feeling: Dancin? Man | 3/2/2002 | See Source »

...musical cycle, and helped extend it. He had democratized dance, and brought the movie musical to a new maturity. And while he was on his game - essentially from the 1944 "Cover Girl" to the 1955 "It?s Always Fair Weather" - Kelly gave the audience plenty to think about, smile about, move to and be moved...

Author: /time Magazine | Title: That Old Feeling: Dancin? Man | 3/2/2002 | See Source »

...imagine Kelly without one?) Fred would just materialize, a slim apparition who hardly noticed the impact he made; his attitude said, in a sidelong glance and sidewise murmur, "Ooh, is someone out there?" Gene came barreling toward you, arms outstretched in - not supplication, never that - an offer his smile told you he thought you couldn?t refuse...

Author: /time Magazine | Title: That Old Feeling: Dancin? Man | 3/2/2002 | See Source »

...Cary Grant of dance, I?m the Marlon Brando." Oh, not really. It?s true that, like Brando, Kelly wore T-shirts and, though he came from far west of the Hudson River, spoke in a working class Noo Yawk accent. But he was stuck with that pre-1950 smile, the professional good nature, the go-getting optimism that defined showbiz in the 20th century?s first half. The second half, led by Brando, was serious, surly, studiously indifferent to giving pleasure or generating affection. Kelly was impudent but not arrogant. His real movie siblings are James Cagney...

Author: /time Magazine | Title: That Old Feeling: Dancin? Man | 3/2/2002 | See Source »

...more than presumptuous to say that a coercive protest at Harvard could never be justified. But as protestors who fought against Jim Crow laws in the South will attest, justified coercive actions have serious consequences. Students who take over buildings have no reason to expect the University to smile benignly; they must be willing to face the possibility of disciplinary action, and even suspension...

Author: By The CRIMSON Staff, | Title: Fair Punishment for Protesters | 3/1/2002 | See Source »

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