Word: smith
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Dates: during 1990-1999
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During his first year, Jeremy N. Smith '00, now co-president of Demon magazine, says a screening of "Eraser" earned Demon precisely seven cents. "Good Will Hunting" fared much better a year ago pre-frosh weekend, raising about $1,000, but Demon has decided to quit while it's ahead...
What to Look For Let's do the math on this one: Will Smith + Barry Sonnenfeld + special effects-laden summer event film = blockbuster. The combination of Smith and Sonnenfeld worked box office magic the last time around when the two collaborated on Men in Black. Smith seems to have cornered the market on huge, big budget summer sci-fi flicks, with his back to back summer money makers Men in Black and Independence Day (we'll forgive him for the latter). Advance looks at the production indicate that the special effects are incredible, and the interaction between Smith and Kline...
MYSTERY ALASKA Directed by Barry Sonnenfeld Starring Will Smith, Kevin Kline, Kenneth August...
...repertoire develops in tandem with commissions from contemporary composers, many of whom write specifically to Glennie's prodigious gifts. She opened with a piece by John Psathas called "Matre's Dance," featuring very loud, very impressive drumming, but to such an extent that the role of her accompanist, Philip Smith, was all but obviated. Glennie then played her own transcription of the Albeniz "Asturias," which did well in the transition from solo piano to solo marimba. The recitative quality of the right hand in the original blossomed in its new reverberating longevite. Glennie was especially sensitive in the subtler, quieter...
...polyrhythms, too many for the Crimson's ears-were nevertheless impressive. David Heath's "Darkness to Light," apparently a programmatic look at a bipolar emotional experience, offered a visually engaging tour of Glennie's complex stage setup, and concluded with a delicate, well-balanced duet between vibraphone and piano. Smith was a remarkably sensitive musician from start to finish...