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...earth and aimed a 16-mm. Maurer movie camera at the third-stage S-4B rocket, which had just been separated from the spacecraft. The resulting pictures show the receding rocket gleaming in the sunlight against a black sky as the blue, cloud-mottled earth hovers below. (Minutes earlier, Smithsonian Astrophysical Observatory scientists atop a mountain in the Hawaiian Islands had used a Baker-Nunn telescopic camera to shoot a spectacular picture of the S-4B, about 120 miles high, blasting Apollo out of earth orbit toward the moon...

Author: /time Magazine | Title: Science: Triumphant Return from the Void | 1/10/1969 | See Source »

Ryder produced only some 160 paintings, left most of them unfinished and parted with few. Strangely enough, the world's largest collection of completed Ryders was stashed away for years (from 1929) in the storerooms and corridors of Washington's Smithsonian Institution. Seventeen of the 18 were the gift of a New Yorker named John Gellatly, an eccentric who had the wit to marry money and the eye to pick Ryder as the American painter who could hold his own with the Europeans. In a final exuberance, Gellatly gave his whole $5,000,000 collection to the Smithsonian...

Author: /time Magazine | Title: Painting: The Great Romantic | 1/10/1969 | See Source »

...years that followed, the Ryders moldered in the Smithsonian's cramped spaces. At last, when Congress approved a new gallery for the National Collection of Fine Arts in 1958, the Smithsonian could look forward to having a proper showcase for its Ryders. It commissioned Art Restorers Sheldon and Caroline Keck to rehabilitate Ryder's ravaged oils...

Author: /time Magazine | Title: Painting: The Great Romantic | 1/10/1969 | See Source »

...Many Owners. Last year the Smithsonian Institution sent in experts to photograph and measure the buildings for its archaeological memory book. "Unfortunately," says Curator Robert Vogel, "the Smithsonian can offer nothing but sympathy. The mill has too many owners, and it would take an enormous amount of money to save it." Even old mill hands express little nostalgia at Amoskeag's passing. Mrs. Bertha Halde, 84, has fond memories of her girlhood days as a weaver of gingham, but she says of the destruction plan: "That's progress. The buildings are no good anyway, are they? They...

Author: /time Magazine | Title: Architecture: Monuments Just Don't Pay | 9/6/1968 | See Source »

Growing Hobby. Collision danger, to be sure, is still remote, but Roth figures that precaution is called for. Five years ago, as head of the Smithsonian Astrophysical Observatory's Denver Moonwatch Team, he became interested in the problems of satellite reentry. To help scientists predict the debris' drop more precisely, he organized flight crews into the Voluntary Flight Officer Network and asked them to report all satellite sightings...

Author: /time Magazine | Title: Space: Tip on Re-entry | 8/16/1968 | See Source »

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