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Duchamp was clearly cut out to be an intellectual in the realm of art. As a young man, he experimented with painting in the manner of Toulouse-Lautrec, the Fauves, and even the cubists, only to abandon each. He rejected the romantic concept of the artist in smudgy smock and flowing cravat, abhorred the veneration of art given to official "masterpieces," decided that "oil painting is old hat and should be discarded forever." As the naturalists of Courbet's day had proved that anything could be a subject for art, Duchamp set out to prove that art could...

Author: /time Magazine | Title: Artists: Pop's Dado | 2/5/1965 | See Source »

Others were quick to queue up. Jean Muir, also 30, bolted her stockroom job at London's Liberty's, moved in on the boom with a fanciful collection of narrow coats, smock dresses and knickers that nick off just above the knee. Sally Tuffin, 26, and Marion Foale, 25, the pop artists of the group, popped up with wild prints, impossible color combinations and a dress, called "Gruyere," with holes in its sleeves...

Author: /time Magazine | Title: Fashion: The Chelsea Invasion | 11/20/1964 | See Source »

Sleights of Art. The immediate father figures of op art are Josef Albers, 76, that pioneer in the perception of color, and Victor Vasarely, 56 (see opposite page), a Hungarian who lives in Paris. Albers paints only colored squares. Vasarely dons the craftsy lab coat instead of the smock and refers to his work as visual research. Their influence has given birth to optical artists in a dozen countries, from Israel's Yaacov Agam to remote Iceland's poet-painter Diter Rot. Last summer the pavilions at the Venice Biennale and the attics of Germany's Dokumenta...

Author: /time Magazine | Title: Art: OP ART: PICTURES THAT ATTACK THE EYE | 10/23/1964 | See Source »

Last week's collection combined the standard and the special: a coat, a dress, and long jersey stockings to match; quilted linings for storm coats; a smock over tights; a sable muff any sable would envy. Biggest news were the new culottes, tighter and more hippy, and a spate of long pants, from grey flannel trousers for day to bugle-beaded pajamas for play. Prices: $900 for a suit, $850 for a coat...

Author: /time Magazine | Title: Fashion: Norman the Conqueror | 7/10/1964 | See Source »

...When robbing banks, he vaulted over the partition to the cashier's cage rather than force his way through the door. He loved the gallant gesture: when he ordered a bank clerk to lie flat during one of his holdups, he insisted on spreading a teller's smock for her on the floor...

Author: /time Magazine | Title: Books: Native Grain | 4/5/1963 | See Source »

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