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...tonal thinking, although this break was prefigured and prepared by nineteenth century practice as far back as Beethoven. Wagner didn't make it the way Debussy did. While the concise structures of eighteenth century tonality seem almost irrelevant to the Wagnerian rhetoric, Wagner still relies on the concept of smooth progressions. Debussy's progressions are classical period. Nevertheless, Debussy does not deny tonality in the larger sense, but devises harmonic progressions which are really analogous to older functional ones...

Author: By Christine Taylor, | Title: Chopin, Debussy and Berman | 12/11/1970 | See Source »

...marriage wasn't all smooth going. Lil said: "We had many fights. We'd throw each other out the window. We always wanted to kill each other. But every time we walked out, we walked back...

Author: By Frank Rich, | Title: NOTES ON A CELEBRATIONMoon Over Miami | 12/9/1970 | See Source »

Quite simply, Barenboim has not yet decided what kind of pianist he really wants to be. Five years ago, he rippled off Mozart sonatas and Beethoven concertos in a smooth, glassy style, as opposed to the passionate, warmly phrased playing of the late Artur Schnabel, Van Cliburn, even Daniel's friend Vladimir Ashkenazy. Barenboim's more recent recordings of Mozart's concertos Nos. 17, 20 and 21 are still too bland and bloodless. This year's set of the complete Beethoven 32 (like his current Tully Hall cycle) has weaknesses, notably a prevailing glibness...

Author: /time Magazine | Title: Music: Inside the Outside Family | 12/7/1970 | See Source »

Those who stayed at home cut further into the dreams of their time. Schnorr von Carolsfeld's entwined lovers jump from a cliff, in erotic slow-motion; romantic fascination with the "inseparability" of love and death was never put more concisely than in this smooth, slick image of sexual harakiri. Johann Hummel transformed a granite bowl, erected in the Berlin pleasure gardens, into an object as disquieting as a flying saucer: with fanatical precision, the tiny reflections of passers-by are caught in its mirror-polished surface, twisted and topsy-turvy, as though Magritte had been let loose...

Author: /time Magazine | Title: Art: Vision Group from the Backwater | 11/23/1970 | See Source »

...medical and biologically-oriented parts of Violence and the Brain give a complete accounting of the present level of knowledge concerning the functioning of the brain in violent behavior on a fairly elementary level. Diagrams of the limbic brain system are given, and brain wave recordings are charted, but smooth, nontechnical explanations keep the material within easy reach of a general audience. In fact, some of the casualness in discussing the medical applications of surgical techniques may seem a bit gruesome to the uninitiated. A dozen pages of pictures illustrate the drilling of holes in the human skull...

Author: By Jerry T. Nepom, | Title: Books Violence and the Brain | 11/21/1970 | See Source »

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