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Word: smoothness (lookup in dictionary) (lookup stats)
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...Place the salad ingredients in a big bowl. 2. Put the dressing ingredients in a blender and blend until smooth. 3. Add the dressing and toss just before serving. 4. Garnish with avocado wedges...

Author: /time Magazine | Title: Oaxacan Tip Sheet | 5/9/2006 | See Source »

...from the main players (and their "minders"), he is free to call them on their foibles. Perennial Democratic Presidential candidate Richard Gephardt is an earthling whose body has been taken over by aliens: "I keep expecting him to reach under his chin and peel back that immobile, monochromatic, oddly smooth face to reveal the lizard beneath." For Hertzberg, who was Jimmy Carter's chief speechwriter, Ronald Reagan's genius was to "paste a smiley-face on Armageddon's grinning skull." An American liberal, he combines the verve of Joe Klein with the precision of Michael Kinsley. Few in deadline journalism...

Author: /time Magazine | Title: 4 Books Beyond the Fray | 5/8/2006 | See Source »

...indulge in, “the essence of Michael Jackson morphed into a rhythmic display.” Or so says student choreographer Lisa B. Flannery ’08 of TAPS, the campus tap-dancing troupe. Along with the company’s “Smooth Criminal” piece, Susan E. Maya ’08 has also choreographed “a fun, whimsical dance set,” which combines “a showy Broadway feel and traditional rhythm-tap.” Maya says that her dance, set to the song...

Author: By Erin A. May, CRIMSON STAFF WRITER | Title: From Ballet to Macarena | 5/4/2006 | See Source »

Along with the company’s “Smooth Criminal” piece, Susan E. Maya ’08 has also choreographed “a fun, whimsical dance set,” which combines “a showy Broadway feel and traditional rhythm-tap.” Maya says that her dance, set to the song “King of New York,” uniquely diverges from the average-ever day tap performance and “gives the audience a taste of what tap is really like...

Author: By Erin A. May, CRIMSON STAFF WRITER | Title: From Ballet to Macarena | 5/4/2006 | See Source »

...staging, and really learning to put on a full production and perform for the audience rather than just putting steps together and dancing on stage,” she says.Cloud sought to demonstrate this vision in the piece she choreographed to Michael Jackson’s “Smooth Criminal” for Expressions’ performance this past fall. “It was a murder story packed into four-and-a-half minutes. I was really able to show the dancers what I meant by thinking about more than just steps, because everyone had to know...

Author: By Alison S. Cohn, CONTRIBUTING WRITER | Title: Shana J. Cloud '06 | 5/3/2006 | See Source »

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