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Such tensions might have destroyed him. Instead, they lent rare power to his fiction. He learned to see two distinct ways of life. One belonged to the smug, narrow, easily shocked circle populated by his mother and her friends. The other possessed his imagination: total friendship, passionate, uninhibited and free, with a like spirit. Artistically, Forster did not want to choose, to become simply a novelist of manners or a poet of pleasures. The motto of his fourth novel, Howards End (1910), captured both the dilemma and the hope: "Only connect...

Author: /time Magazine | Title: Books: Passages of a Buried Life | 11/6/1978 | See Source »

...Trios Paranoias. "My vision," Lowe says, "is to tease people. I never make a stand, you know, never put my feet down. If I write a love song I'll al ways make fun of it to my friends. As a matter of fact, I'm sickeningly smug. It keeps me out of trouble...

Author: /time Magazine | Title: Music: Bringing Power to the People | 6/26/1978 | See Source »

...looked as if ole George was leaving politics after 16 years as the self-styled message-bearer of disaffected Americans. His longtime sparring partners in the press wrote smug political obituaries. Said the New York Times: "His were the resentful people, who wave flags and are frightened by those who look 'different.' " The Washington Post recalled: "His success obliged those other politicians to address both the Wallace constituency and the Wallace issues, without adopting the discredited Wallace racial line...

Author: /time Magazine | Title: Nation: Short Goodbye | 6/19/1978 | See Source »

There has never been anything polite about Reed's music, then or now; not a laid-back note or a smug lie. Reed has seen his poetry published in the Paris Review and Fusion, and both stubborn bards and diehard rock 'n' rollers will recognize-maybe even sympathize with-the sentiments expressed in the chorus of a new Reed tune...

Author: /time Magazine | Title: Music: Lou Reed's Nightshade Carnival | 4/24/1978 | See Source »

...EXCELLENT PERFORMANCES by Kowalski and Hufstader, pregnant patient and principled physician run through the standard arguments for and against abortion. This time, however, the sex roles are reversed: Man is the desperate, powerless victim, and woman the smug, powerful perpetrator. To his cry that he has the right to pursue a career he's worked hard to establish, the feminist surgeon ironically answers that the unborn also have rights and that even one transgression of these rights would set an evil precedent. When he says he'd like to kill her, she replies that often "the impregnated wants to kill...

Author: By Joan Feigenbaum, | Title: "A Woman's Work..." | 4/8/1978 | See Source »

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