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When Sasso returned, he inherited this snake pit. He brought in an acquaintance, David D'Alessandro of the John Hancock insurance company, who had never run a political ad shop. In mid-September D'Alessandro arranged the Shoot-Out at the Ritz-Carlton, a demeaning screening of potential scripts. In a cavernous baroque banquet room, ad-makers flipped through their storyboards to impress the new team. It was an amateurish tryout that produced more bitterness than ads. Among those produced was a semicoherent series ridiculing Bush's handlers. Although they are certain to form the core of Kennedy School seminars...

Author: /time Magazine | Title: Anatomy of A Disaster | 11/21/1988 | See Source »

...Five Dreamings, 1984, by Michael Nelson Jakamarra and his wife Marjorie Napaljarri, may fill the space with an "all-overness" as complete as any painting by Jackson Pollock. But they are specific symbols for terrain, vegetation, movement, sites and animals, of which the most obvious is a big reddish snake. Concentric circles mark campsites or rock holes, straight lines the routes between them, wavy ones rain or watercourses, and so on. Even the toa carvings collected from tribesmen around Lake Eyre in the early 1900s, which seem to radiate a degree of sculptural fantasy that predicts the surrealist work...

Author: /time Magazine | Title: Art: Evoking The Spirit Ancestors | 10/31/1988 | See Source »

...snake has all the lines here: "Name your poison," says Lady Sylvia to a toothsome aristocrat. Russell oils the dialogue with lots of slithery images: killer vacuum-cleaner hoses and serpentine watch hands, Snakes and Ladders gameboards and pickled earthworms in aspic. With all the dream demons and succubus seductions, the movie starts to look like a man's fearful scenario of woman's seductive power. Is Russell just kidding or deadly serious? The answer is, as always, both. His campfire tale may be more camp than fire, but it shows the cinema's last angry mannerist in good humor...

Author: /time Magazine | Title: Cinema: The Lady Vamps THE LAIR OF THE WHITE WORM | 10/31/1988 | See Source »

ALLENDE'S novel focuses on the story of Eva Luna, whose name, she says, means "I am life". A natural narrator, she tells us that she was conceived as part of a cure for a native Indian who was poisoned by a snake bite. As her parents are dead, her story centers on her life in the capital city, presumably Caracas, where she works as a domestic servant. Her only companions are her adopted grandmother, Elvira, who sleeps in a coffin every night to avoid spending extra money on a bed, and her godmother, whose head, Eva says, is addled...

Author: By Katherine E. Bliss, | Title: Politics and Fantasy in South America | 10/15/1988 | See Source »

Blechner's Jewishness is slowly surfacing in his solitary life on six acres at the foot of Snake Mountain. "I couldn't flush it out," he says. He wants a family, and he knows that children trigger the heritage question. "What are you going to do, send them to the Congregational church?" he asks. But he has more immediate concerns: "How do you meet a nice Jewish girl up here? There are no Jewish singles weekends. Are there women living similar life-styles? Whom do you relate to up here about that...

Author: /time Magazine | Title: In Vermont: When Woody Allen Meets L.L. Bean | 9/26/1988 | See Source »

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