Word: sneering
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...Kampf’s portrait, the traditional figure of the Kaiser stands erect with a hint of a sneer, clashing with Lovis Corinth’s adjacent Salomé, which epitomizes the unconventional. Largely a satirical depiction of femmes fatales, the wanton Salomé leans over John the Baptist’s head with her breasts exposed, her fingers probing at the eyes of the dead. Informed more by the burlesque than the Biblical, Corinth uses the grotesque to satirize a common subject in paintings at the time...
...Neal); we should hate her. But here is where Silverstone makes the show. Reese Witherspoon--Silverstone's successor as Hollywood's pixie of choice--has made a career of playing such characters (Election, Legally Blonde) with a stylized, satiric wink. Silverstone plays it perfectly straight and dares you to sneer instead of melt. And she wins. We ignore that most of Kate's setups fail and that, Cupid that she is, she can't see that her puppy-eyed architect client (David Conrad) is her dream guy. It makes no sense, but Silverstone's and Miss Match's charms make...
...that had been staying away from the movies. But when Star Wars does the same thing, it's pandering to escapist sheep easily led by movie marketers. And the scope is both comprehensive and frustratingly limited, focusing on critics' darlings while Rocky, Superman and the like get barely a sneer...
...Whatever the explanation, the idea of a work-life balance is a staple of European discourse, studied in think tanks, mulled over by policymakers. In the U.S., the term, when it's used at all, is said with the sort of sneer reserved for those who eat quiche. But it might still catch on. When Bill Keller was named executive editor of the New York Times last week, he encouraged the staff to do "a little more savoring" of life, spending time with their families or viewing...
...September 1955, about the time Parker bought Elvis' contract from Phillips). In fact, though, Elvis was the Marlon Brando of pop. Everyone saw this; I did, and I was 11. Brando and Elvis both had sullen good looks: hooded eyes and full, sensuous mouths that easily formed a sneer-smile. They semaphored their menace in their movement: Brando the prowling predator, Presley the sex machine. Most important: both men, virtually by themselves, caused a redefinition of what was acceptable in their fields. And soon, because of their seismic influence, their strange styles became the standard...