Word: snipering
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...sniper's bullet fractures a Marine's leg, yet he continues carrying a wounded squad mate on a stretcher for a mile to the evacuation area. Hot shrapnel severs the leg muscles of another Marine so badly that doctors later say that he should have been unable to walk, yet he runs more than 200 yards to a medical-aid station. A man with a smashed knee crawls 40 yards to a mortar position, props himself on his elbows, and helps load shells for five hours before reporting his wound...
JOHN BRYANT fought through the fuzz of last night's sleeping pill as the 7 a.m. newsman, activated by the clock-radio, flicked through the details of yesterday's muggings, liquor-store holdups and sniper attacks. John groped for the light switch-and inadvertently brushed against the "panic button" on the $700 Tel-Guard alarm console connected to his telephone. Obediently, the system silently dialed the operator and automatically began repeating a recorded message: "Emergency at 250 Lincoln Street. Emergency at 250 Lincoln Street...
...Jules Feiffer cartoon is an act of aggression camouflaged by humor. Feiffer is a satirical sniper who drills lethal little holes in the feverish body politic. In security, hostility, urban hysteria are both his targets and his weapons, and all his cartoons are Little Murders, as he has titled his first full-length play...
...generally conceded that an audience forced to watch a movie through the eyes of its main character begins to identify with that character, a point which for my money Bogdanovich disproves. Renata Adler wrote a depressing column suggesting that the audience, looking through the sniper's gunsight, wants him to hit his victims--just as the audience wants that car to sink into the swamp in Psycho although its disappearance serves only to protect nasty old Mrs. Bates. Nuts! An audience made complicit in wholesale slaughter by virtue of POV shots resists with all its might, particularly when they have...
...Targets has one hell of a pay-off, and adding it to the film's generally successful calculation, Bogdanovich comes out pretty clean considering this is his first movie. Midway through he begins to set up a contrast between the horror of reality represented by the sniper and the melodrama horror of movie reality represented by Orlock. At the end, Orlock takes Bobby, knocking a gun out of his hand with a cane, asserting a potency he had thought nonexistent. Although ambiguous, the effect is one of total release: we are still in a movie, and in the movies...