Word: snl
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...years that Rock was on SNL, 1990-93, the show was loaded with future superstars: Adam Sandler, David Spade, Mike Myers. Rock found it hard to get airtime, difficult to get SNL's mostly white writing staff to put him in sketches or understand where he was coming from creatively. He quit SNL in 1993 to join Fox's mostly black comedy show In Living Color--only to see it go off the air the next year. His career began to slide...
...reconnect to audiences, to the street-level reality that had made his act funny to begin with. The result was Bring the Pain, his landmark HBO special. "He opened up his material, and it allowed a larger audience to be receptive to it," says Tim Meadows, a fellow SNL cast member. "Chris started talking about things onstage that he talked about in personal life--social and political issues...
...hours, Rock hangs out with a core group of comics--Seinfeld, Joyner, SNL's Colin Quinn, a few others. "It's sort of the same reason cops and prostitutes like to hang out together," explains Seinfeld. "No one else understands them." It's a group that meets for nonprofessional reasons, but the camaraderie often sparks humorous ideas. Nevertheless, Rock declines to share jokes in progress even with his friends or his wife, doing his writing in private. The onetime high school misfit still has trouble fitting in. "I really can't trust anybody," Rock says. "Even the people who love...
...Saturday Night Live is needlessly painful as a 90-minute movie. Nevertheless, it was announced last week that MIKE MYERS will get $20 million to write and star in Sprockets, a feature film based on the forbiddingly avant-garde German talk-show host Dieter that he played on SNL. Of course, Myers will have some backup. Reportedly, one version of the script for Sprockets had a role for Baywatch mastermind David Hasselhoff as a villain who, on tour in Germany, kidnaps Dieter's monkey...
...young Powers and Evil were classmates fighting over the same woman. Roach, returning to direct, suggested making Dr. Evil a square cold-war agent, with Austin "single-handedly creating the British invasion to mess with his head." But Myers and co-screenwriter, Michael McCullers, a former writer for SNL, decided on a plot that had Austin revisit the '60s to retrieve his stolen mojo, or raging libido. "If the first movie was Timecop, this one is Back to the Future," says Myers...