Word: snodgress
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Dates: during 1970-1979
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...nominees for Best Actor (Melvyn Douglas in I Never Sang for My Father, Jack Nicholson in Five Easy Pieces, James Earl Jones in The Great White Hope, Ryan O'Neal in Love Story) are all hanging right in there. The potential Best Actresses are, too. They include Carrie Snodgress in Diary of a Mad Housewife, Ali MacGraw in Love Story, Jane Alexander in The Great White Hope, Sarah Miles in Ryan's Daughter and Glenda Jackson in Women in Love. Nominations in the other categories included the usual mind-boggling number of mediocrities: Airport, for instance, received...
...mood of the return to romance. There is, for example, Margot Kidder, a Love Story hater ("Two marshmallow people marching around trying to be brave") and one of the great bodies of the Western world as well as the Tomato Surprise of Quackser Fortune. Or Carrie Snodgress, unforced, radiant star of the arch, dim Diary of a Mad Housewife. Perhaps the most technically skilled of the new romanticists, she insists...
...where Jack Nicholson sits down to play the piano in Rafelson's Five Easy Pieces, a slick film about alienation which seemed to cut away to a Laszlo Kovacs Easy Rider scenic vista whenever something seemed about to happen; Alan Arkin's Yossarian in Mike Nichols' Catch-22; Carrie Snodgress's heroine and Frank Perry's paranoiac camera work in the somewhat overdrawn Diary of a Mad Housewife; Charles Bronson's headstrong investigator in Rene Clement's Rider on the Rain; the dripping decadence and provocative idea behind Performance; and the grand style of Jean-Paul Belmondo, Alain Delon...
...swamping the media. Lady Bird Johnson tells McCall's' readership what it was really like a heartbeat away from the President. Gloria Steinem brings a tape recorder to the Harvard Business School, listens to all the women students wailing, and plays it back to New York magazine. And Carrie Snodgress dissects her marital crisis with a dash of liberal chic for every audience of The Diary of a Mad Housewife...
...Joyce Carol Oates is not a women's liberationist. She is not as groovy as Gloria Steinem, nor as chic as Carrie Snodgress. You can't rip her books off the Coop's feminist display table and liberate your grandmother for Chanukah. But The Wheel of love. Oates' latest collection of short stories, is probably the most powerful and harrowing compilation of female confessionals shared in a long time...