Word: snow
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Dates: during 1990-1999
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Walking morning rounds recently, Searles noticed bear tracks in fresh snow near the golf course. He has become an ursine eco-evangelist. "This is the year 2000," he says, "and authorities still kill bears that did nothing wrong. My ambition is to change this." The gangly contractor adds, "Bears have shown they can adapt to us. Why can't we adapt to them?" Within the range of a middling seven-iron shot, at least four bears are adapting...
RUNNER-UP Snow. Written and illustrated by Uri Shulevitz A town full of skeptical, eccentrically shaped adults is transformed into a playground by the snow everyone says won't fall. What's not to love...
...found most of these games oddly compelling. In the same way that Myst and Riven create places you can get lost in, the hunting titles I tried nicely evoke the great outdoors: wind blowing through the pines, boots crunching through crusty snow, the howl of a coyote in the distance. Hunting is an atavistic thrill: staking out a spot in the virtual woods and waiting quietly for a buck; centering it in the crosshairs and shooting it were satisfying in a primal, I-eat-meat kind of way. I preferred the GT titles. Deer Hunter II was more straightforward...
...industry get started, then bankrolled Hollywood at a time when the movie industry was anything but proven. In 1923 he created a motion-picture loan division and helped Mary Pickford, Charlie Chaplin, Douglas Fairbanks and D.W. Griffith start United Artists. When Walt Disney ran $2 million over budget on Snow White, Giannini stepped in with a loan...
...poor animator, he proved to be a first-class gag man and story editor, a sometimes collegial, sometimes bullying, but always hands-on boss, driving his growing team of youthfully enthusiastic artists to ever greater sophistication of technique and expression. When Disney risked everything on his first feature, Snow White and the Seven Dwarfs, it turned out to be no risk at all, so breathlessly was his work embraced. Even the intellectual and artistic communities saw in it a kind of populist authenticity--naive and sentimental, courageous and life affirming...