Word: snowing
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Dates: during 1960-1969
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Shots of the two men trudging across the snow, flooded with light, are followed by shots of them inching up a rock face. When they finally reach the top, the officer collapses, exhausted. The other, picking up his coat, discovers a letter written to the officer by a woman. The husband asks him if it comes from his wife; on the officer's insolent reply, be attacks him. The entire scene atop the peak, like the preceding climbing scenes, has the characters standing on rock against an entirely white horizon. The screen has been stripped down...
...several squads, sometimes only a few hundred yards (BLM paid the helicopter rental companies by flight time--$130-$1,125 per hour), to a hillside behind the fire where they were instructed to build fire lines. The firefighters could see little point in doing the work, especially since the snow would soon extinguish the wilderness blaze without human intervention...
...social scientists, who tend to be reasonably well satisfied with their inside roles in government, industry and the universities, and 2) the philosophers and literary intellectuals, who feel more or less like outsiders. This is basically the problem of the "two cultures" described by C. P. Snow. At the same time, many intellectuals are defecting from the first group and joining the second...
...Snow. Half a century before the Impressionists, Constable was fascinated by the effects of light-in particular, light that came from his beloved and changeable English sky. His ambition, he said, was to "give one moment caught from fleeting time a lasting and sober existence." In his sketches are dozens of studies of clouds. He strove to capture the sparkling play of light on leaves, grass and stones. To achieve this, he daubed little blobs of white and color onto his canvases, making no attempt to blend them-as can be seen in his enchanting little study of Rushes...
...Turner, however radical his techniques, still painted the grand subjects and the dramatic scenes congenial to the Romantic taste; by contrast, Constable's themes seemed merely homely. Turner was a poet of the imagination, Constable a poet of the real. Turner saw a vision of hell in a snow storm; Constable could see a vision of heaven in a blade of grass. Posterity can be grateful to both...