Word: snows
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Dates: during 1930-1939
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...This plan was tried once before with a Boston playground," Dennett said yesterday, "but it failed because ther wasn't any snow for winter sports. I don't think we'll have that trouble this year...
...face around the huge corner of the Widener Library steps. Cars were splashing away in the streets, but inside the Yard traffic consisted only of a few preoccupied pedestrians. The boy surveyed the situation for several minutes, then walked in an absolutely straight line toward a pile of snow in front of the Library. As he bent over to break the crust of ice, he didn't look much higher than the first step. Gradually, bit by bit he succeeded in molding the uncooperative snow into a large ball. Suddenly straightening up, he hurled it with all his force...
...animation cels are assembled, together with backgrounds and other eels of intermediate background, and taken to the camera. In Snow White, the $75,000 multiplane camera is the one chiefly used-it is much like any other movie camera, except that its action can be governed to expose one frame of film and then stop. Regular cinema cameras run at the rate of anywhere from eight to 64 frames per second. What makes the Disney camera unique is its towering, 14-ft. framework. The camera peers vertically down from the top of this iron structure through several levels, set below...
...working for a film slide company, and his ani mated cartoon career was launched with a series based on Kansas City topicalities. The film cost him 30? a foot, sold to three theatres. The average Mickey Mouse or Silly Symphony costs somewhere between $50 and $75 a foot; Snow White, over $200. Walt and a group of local cartoonists organized a $15,000 corporation in 1922, after spending six months making their first feature, Little Red Riding Hood. A New York distributor was found and out came Jack the Giant Killer, Town Musicians of Bremen, Goldilocks and three others, among...
...long ago an interviewer spoke of Snow White as a cartoon, and reported that Mr. Disney retorted: "It's no more a cartoon than a painting by Whistler is a cartoon." The remark, if made, sounds pompous, out of character. The Rembrandt conception fits better-the conception of an artist, single of purpose, utterly unselfconscious, superlatively good at and satisfied in his work, a thoroughgoing professional, just gagging it up and letting the professors tell him what he's done...