Word: soaping
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Dates: during 2000-2009
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...movie fans do in Brad and Angelina. "The journey of seeing the same people coming back week on week-you have a relationship with them," says creator Simon Fuller. "You don't know what's going to happen. Sanjaya walks out with his crazy hairdo. It's a living soap opera." Season 6 contestant Chris Sligh called the job of getting the audience to identify with you "mak[ing] David Hasselhoff cry," referring to the Baywatch star tearing up when Hicks won last year's crown. Which brings us to point...
...soap opera—still ongoing—might be comic were it not so gruesome. Name any modern plague and this grim tale has it: drug abuse, squalid greed, extended legal charades, shameless self-promotion, and phony, saccharine sentimentality. Feminists might decry Smith’s complete objectification, priests her unforgivable promiscuity, socialists her avarice—the task is simple: Grab a piece of the story and hold tight...
...Generally speaking, when a plot is as convoluted as this one - and it has many more twists and turns than it would be fair to reveal here - we are in soap opera country. And maybe we are, but that reckons without the easy naturalism of Anders Thomas Jensen's script and the brilliance with which it is played by its perfectly cast actors. For a very long time we wonder if what's unfolding on the screen is just a set of very curious coincidences instead of what it obviously is: a carefully rigged scheme by Jorgen, who is keeping...
...Ahead of its time" is an overused phrase, but Norman Lear's soap-opera satire, which debuted in 1976, would work on HBO today. Louise Lasser is the eponymous housewife, anesthetized by TV and horrified by the "waxy yellow buildup" on her kitchen floor. The show immerses you in a surreal, quaint-but-sordid small-town setting that makes Desperate Housewives look like Leave It to Beaver...
...soap opera among operas, the artistic aspirations of the Lowell House Opera are also high, and “Der Rosenkavalier” fills the stage with four hours of romance, intrigue, and deception. The performance—sung in German, with projected English subtitles—opens on the affair of the Marschallin, Princess Marie Therese von Werdenberg (Annette Betanski), with her young lover, Octavian (Emily Marvosh...