Search Details

Word: social (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...building, presently open Monday through Friday until 12 midnight for studying only, is the only available location for such a social center, according to Cornelia M. DeNood '61, one of the organizers of the project...

Author: NO WRITER ATTRIBUTED | Title: 'Cliffies Put Studying Second to Social Life In Coffee House Bid | 10/23/1959 | See Source »

...effort to provide Radcliffe with a "social center near the dormitories," a group of 'Cliffies hopes to turn the Field House into a coffee house operating six or seven nights a week until...

Author: NO WRITER ATTRIBUTED | Title: 'Cliffies Put Studying Second to Social Life In Coffee House Bid | 10/23/1959 | See Source »

...total of 547 students, its lowest in the past eight years, puts it ahead of Mathematics 1a, the third most popular course. Fourth and fifth are English 126a, a course on Shakespeare, and Social Sciences...

Author: NO WRITER ATTRIBUTED | Title: Economics 1 Keeps Place on List As Most Popular Elective Course | 10/23/1959 | See Source »

...Mills College for women, "the Vassar of the West," in Oakland, Calif. Historian Rothwell succeeds Historian Lynn White Jr., who quit after 15 years to teach medieval history at U.C.L.A. A stocky, balding Westerner, raised in Montana, Easton Rothwell graduated from Portland's Reed College (1924), taught social sciences at the University of Oregon and Stanford. He switched to the State Department in World War II, became a top adviser to Cordell Hull, went on in 1947 to Stanford's famed Hoover Institute of War, Revolution and Peace, where he became director in 1952. His goal...

Author: /time Magazine | Title: Education: New Faces | 10/19/1959 | See Source »

...Creative Act. Pasternak was influenced by an esthetic movement in Russian poetry that rebelled against the didactic, social-protest verse of the late 19th century. He was briefly drawn to the "Futurists." with their sprung rhythms and staccato, telegraphic style. But in many ways he also harks back to the English romantics. With them-Blake, Shelley, Keats-Pasternak sees nature as the handwriting on God's wall, or at least as the outward sign of an unseen and perhaps mystical order of things. And with the romantics, Boris Pasternak shares the belief that the creative imagination is itself divine...

Author: /time Magazine | Title: Books: Pasternak the Poet | 10/19/1959 | See Source »

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