Word: socialism
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Dates: during 1930-1939
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University buildings in the Yard not Freshman dormitories are Phillips Brooks House--the social service center, the Memorial Chapel and the University Church, University Hall--housing the central and academic administrative offices, employment bureaus, information office, etc., Widener Memorial Library, the President's House, Lehman Hall--housing the financial and business administrative offices, the following classrooms, Hunt Hall (Robinson Annex), Robinson, Sever, Holden, Emerson, Harvard, Boylston, and Wadsworth House--home of Military Science and the Alumni Office...
Fogg Art Museum, the Faculty Club, Warren House--home of English A., The Union--Freshman social center, and housing in its basement the offices...
...Democratic chieftains are above voting Negroes when the fighting gets hot, as white-crested Ed Crump has voted them for years in Memphis. Moreover, the poll tax means less to Southern Negroes since their economic status is being raised by Relief and farm subsidy funds. When their economic and social position is further bulwarked by the Wage-Hour law and C.I.O.'s bicolor unionization, the days of lily-white politics in the South may be numbered...
Bradford served his worldly apprenticeship as secretary (1931-34) to Democratic Governor Ely, Eliot as assistant solicitor in the U. S. Department of Labor, where he helped write the Social Security Act. Now these almost identical twins, self-consecrated to the cause of better government, are both in politics under opposite labels. In Middlesex County, in which one-quarter of Massachusetts' people live, a better element group, determined to oust Republican District Attorney Warren L. Bishop, whom they accuse of backsliding, drafted Republican Bob Bradford to run against him in the primaries September 20. In the 9th Congressional District...
...dates precisely from the time when the Industrial Revolution put an end to handicraft. Its prophets in Victorian England were William Morris and John Ruskin; one form of its fulfillment now is the Federal Art Project's Community Centre program (TIME, Sept. 5). Meanwhile, strict Marxists interpret the social use of art narrowly to mean that art should be an instrument of class struggle, and many Lovers of Labor subjects have appeared. One of these is able Sculptor Max Kalish, represented in the Baltimore show by The Spirit of American Labor (see cut) and seven other pieces. Contrasting such...