Word: socialism
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Dates: during 1950-1959
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...generation there were between 300,000 and 600,000 Christians in the country, which had only a third of its present 91.6 million population. (About half a million are now Christian.) Buddhism was in decline; people were impressed by the Jesuits' European science and their surprising concern for social morality and the sanctity of human life. The success of the new religion soon convinced Japan's feudal warlords that Jesus Christ was dangerous competition, and they went to work with social pressure, torture and slaughter...
...church schools that keep high academic standards and teach religion as well? Agnostic Lekachman warmly supported the right of churches to maintain them, and just as warmly opposed tax aid for them. The public school has "primacy" in a free society, he felt, because it is "an ally of social tolerance, class fluidity, and the open mind." It is the one agent that may postpone choices "until they can become the acts of adults rather than the reflexes of children . . . The public school is too valuable to encourage alternatives to it." With much of this Rabbi Gordis agreed...
...Roof (De Sica; Trans-Lux) is one of the few memorable films produced in almost a decade by the once-daring Italian movie industry. In ailing postwar Italy, cinema was briefly practiced as a kind of social medicine. But the would-be healers prescribed such a bitter pill-neorealism -that the public refused to swallow it; most of the famed Italian films of the late '40s won rave reviews but lost money. In this picture, made in 1956, the ablest of the neorealists-Director Vittorio De Sica and Scriptwriter Cesare Zavattini, who together produced Shoeshine and The Bicycle Thief...
...Steiner's contempt for respectable America, the land of the free and the bourgeoisie, certainly implies a moral judgment that leads us to ask why Steiner is justified in rejecting those social regulations which transform the chaotic into the orderly, or in condemning those who seem to be more principled and responsible than himself. No matter how often we ask, however, Zane leaves us in a moral haziness, which leads us in turn to suspect that he doesn't know how to solve the moral dilemma he has generated. Perhaps this is because he has known too well these strange...
...without being funny. Crudity seems, generally speaking, to be the defect inherent in Brecht's attempt to simplify life to the point where it can be described in his almost-allegorical terms. His characters are often lifeless stick-figures whose only identity is a label, and his political and social pronouncements are over-stated, over-emphasized, over-dramatized past the point of exasperation...