Word: socialism
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Dates: during 1970-1979
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...anti-corporate tone by painting it as a thriller: "I think we all felt strongly it has to work as a piece of entertainment and we all saw a really good chance of doing a classic old-fashioned thriller. The picture had to be entertaining before it had any social or political comment to say," Douglas said...
...also recognized that people may view it as a political film. "One of the things we've had to almost overcome is the fact that Jane and Jack happened to be people who have social consciences and are politically active. So then everybody tries to add one and one together and read all these other things into it...A Jane Fonda anti-nuclear film--that's a tough sell for 800 theaters across the country. So I think I felt, we all felt the film had a lot more to say, ...was pretty damn entertaining, and would have to hated...
...unexplainably, and flounders in an oversized tuxedo like a Bar Mitzvah boy who hates the guests but doesn't want the party to end. For the slurring speed with which he gives half his lines, Schatz may as well be playing Alceste in Moliere's original French. Instead of social comment, the play becomes farce...
...from whom they sprung, the Tuatha de Danaan. Truth be told, they didn't exactly worship the gods--it was more of an ongoing working relationship. There is lots of evidence the Celts didn't think in terms of "bad," and had no concept of heaven or hell. Anti-social behavior was not bad, merely an absence of good; loyalty to the tribe was the supreme rule. In St. Patricks time, you didn't travel across the borders of the kingdoms unless you had been invited or were a famous poet or seer. Safe conduct was far from guaranteed, which...
Norma Rae is the story of trashy white woman (Sally Field), a textile worker in a small Southern town, who discovers that she actually has a social conscience when a labor organizer (Ron Leibman) arrives at her mill to establish a union. Despite his education and his uplifting concerns, he is a rainmaker figure, a man capable of breaking through the various dins (of factory, family and juke joints) that have drowned out the voice of Norma Rae's best instincts. His winning out over her suspicions (there is a romantic attraction here that is wisely left unconsummated...