Word: socialistic
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Paris, March 1978. A Socialist-Communist alliance wins control of France's National Assembly; crowds dance in the Place de la Concorde . . . President Valéry Giscard d'Estaing reluctantly names Socialist Party Chief François Mitterrand as France's Premier ... Communists get four of the 19 Cabinet posts, becoming the first party members to gain power in Western Europe since the 1940s . . . Transition appears smooth at first, but then...
That is the situation in the opening pages of a new novel published in France last week. Titled The 180 Days of Mitterrand, the book probes what will happen if the Socialist and Communist parties gain power in next March's parliamentary elections - which is entirely possible. The work of a so far anonymous author, Days is an instant hit: its first printing of 50,000 copies sold out in a day. The novel says the book editor of the French newsmagazine L 'Express, is "a marvelous projection of the present that always remains on the edge...
...season's troubles started when Frank Collin, self-styled Fuhrer of a tiny Chicago-based Nazi splinter group called the National Socialist Party of America, announced plans for a May 1 parade through Skokie, a heavily Jewish suburb north of Chicago. Some 7,000 survivors of World War II Nazi concentration camps live in the village. Skokie authorities swiftly banned the demonstration, and militant Jewish Defense League spokesmen promised to keep the Nazi marchers out with force...
...potent metaphor. In scene after scene, Cinematographer Ennio Guarnier frames the setting-turn-of-the-century Bologna and Venice-in rich, painterly soft focus, but his colors are so intense that they almost seem to burn the film. Similarly, the leading characters-an eminent if controversial scientist and socialist, his beautiful daughter who is suffocating in a bourgeois marriage, his erratic lawyer-son who is so devoted to his trapped sister that he would kill for her-are creatures of grace and period charm, but their own picturesque passions are so tearfully intense as to sear their souls...
...Shaw's final put-on. As machine-gun bursts of talk reduce argument after argument to rubble in Man and Superman, one becomes more and more aware of the self-divided ambiguity of Shaw's nature. Just as he was a celibate husband, he was a plutocratic socialist, a religious atheist, an irrational rationalist, a philosopher clown, a meditative activist and a sexually emancipatory puritan...