Word: socialized
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Dates: during 1960-1969
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...explanations from more deep-lying considerations. Harvard. like many other universities throughout the world, has been caught up in a wave of student unrest, which, though primarily inspired by dissatisfaction with the state of society, has also raised basic questions about the purposes of universities. their place in the social order, and their governance. Nor has the mood of dissatisfaction and self-questioning been confined to students. Faculties too have been brought face to face with the same range of problems. The result at Harvard, as elsewhere, has been to precipitate a reconsideration of the whole question of decision-making...
...pursuit of learning and scholarship has recently come under sharp attack. Radical crates reject the very notion of disinterested teaching and learning, describe universities such as Harvard as compliant instruments of a corrupt society, and seek to transform the university into a revolutionary spearhead for achieving a just social order. Other student critics, who do not share these assumptions, nevertheless feel themselves alienated by the academic culture dominant in the Faculty. reject much of the university curriculum as irrelevant to their interests, see the governing arrangements of the university as characterized by authoritarianism, and press for a restructuring...
...seriously stretched . From the institutional oppression of the poor by the rich in modern times Griffith moves to the political intrigues of Catherine de Medici, to religious conflicts in Christ's Palestine, and to the grand movements of the political civilization of Babylon. He calls the injustices of each social system "intolerance." Consequently, the film's climax-with the four stories intercut-lacks any thematic synthesis. Griffith turns largely to the human interests in his four endings...
What the four stories do have in common on an abstract level is an extraordinary sensitivity to social setting, so that the deaths ending three of them carry a huge sense of social downfall and unite personal with common tragedy. Griffith opens each story with mass scenes revealing the heart of each society-an elite ball and a company dance in modern times, the wedding at Cana for the Biblica lera. His portrayal of each society is entirely different in dramatic action and shooting style; a unique flavor of each way of life reaches the viewer. Each character is completely...
...truth of his subject directly, without the mediation of a dramatic plan. Though the compositions and cutting of Intolerance show an unbelievably flexible awareness of form, no overall formal control shapes the film. One experiences it rather as a flow of situations and emotions augmented by Griffith's pointed social comments and clear allocation of guilt...