Word: socialized
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Dates: during 1970-1979
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There are no false moves. Hair succeeds at all levels-as lowdown fun, as affecting drama, as exhilarating spectacle and as provocative social observation. It achieves its goals by rigorously obeying the rules of classic American musical comedy: dialogue, plot, song and dance blend seamlessly to create a juggernaut of excitement. Though every cut and camera angle in Hair appears to have been carefully conceived, the total effect is spontaneous. Like the best movie musicals of the '50s (Singin' in the Rain) and the '60s (A Hard Day's Night), Hair leaps from one number...
...archetype of the current genre is Happy People, by Columbia Psychology Professor Jonathan Freedman. It promises to reveal "what happiness is, who has it and why." Freedman analyzes the results of both popular surveys and casual interviews and also attempts, he says, "to present what we, as social scientists, know about happiness." Soon to be published is Optimism: The Biology of Hope, by Rutgers University Anthropologist Lionel Tiger; it explores the possible biological origins of the human sanguineness that underlies feelings of wellbeing, whatever they are called. New York Psychoanalyst Willard Gaylin has just weighed in with a study called...
...club's application stated it would "provide a social meeting ground for conservatives, traditionalists, and believers in free enterprise...
...theological and social revolutions of the '60s were especially traumatic for Catholic schools because students wanted freedom from rules and women demanded more active leadership roles. "There were more questions than convictions," Switzer said...
Catholic educators now strive for "education of the total person, the communication of a faith that is relevant in a secularized world and the creation of a "social awareness that compels one to action," Switzer said...