Word: socialized
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Dates: during 1970-1979
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...answer is that Hubbard is only a part-time musician; the bulk of her time is spent as an executive in her father's--L. Ron Hubbard's-- Church of Scientology, and both Clarke and Corea are scientologists. Hubbard said she was trying to make no social statement with this album--she achieved all she wanted from her work in her church and was content with that...
Auden's shipboard squall may have been uncharacteristic, but it should clearly be given more biographical weight than his social calendar. Yet Auden's reticence about himself may hamper all potential biographers. To his lasting credit, he believed that the dark demons could be hedged in by civility, and he acted on this belief: "A suffering, a weakness, which cannot be expressed as an aphorism should not be mentioned." His love poem "Lullaby" is beautiful and moving precisely because of its reasoned equivocations, its rational tethers on emotion...
Novelist John Phillips Marquand died only two decades ago, but social realities and the American literary scene have changed so thoroughly that Millicent Bell's thoughtful biography has become a work of archaeology. Marquand was a master of the literary flashback, now a wholly owned subsidiary of cinema, and a satirist of the rich, who have been depleted by taxes and supplanted by rock promoters and multinational executives...
...director does not always record Jimmy's personal adventures with the same grit and humor that he brings to the film's social canvas. The hero has too many stereotypical conflicts with his overly villainous parents and employers; there are too many scenes that try to convey his sensitivity by showing him brooding on the beach at Brighton. The film's final section, a long chain of cathartic crises, is contrived. Still, Phil Daniels, as Jimmy, is both appealingly quirky and a good double for Who Guitarist Pete Townshend. Daniels also has two funny and touching...
...lampooning the foibles of the high and mighty and mouthing the pungent politics of their raspy-voiced creator, Al Capp. He called his hillbilly vaudeville Li'l Abner, and it made him a wealthy man, though not an especially happy one. Racked by emphysema and distressed by the social changes he saw around him, Capp abruptly retired in 1977. He took up a reclusive life in Cambridge, Mass., where he died last week...