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Word: socked (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...finally a millionaire," said Calvin McCracken, adding that he had been a millionaire several times before, only to plow his money into other ideas, some of which were not successful enough to a sustain his membership | in the world of mega° wealth. McCracken said he would probably sock his funds into yet another notion, as he always has. (Next time you go to the cinema, as you pass those hot dogs turning on those tubular rollers, think of McCracken. He made a million...

Author: /time Magazine | Title: In Virginia: A Convention for Inventions | 3/5/1984 | See Source »

...course, Claude predictably ends up in the sleazy offices of the private detective and falls for "evidence" of his wife's infidelity. Once deserted by his own younger wife, the detective shows Claude videotapes showing some amorphous Argyle sock clad man leaving his luxurious apartment late at night. Still retaining his facade of trust. Claude suggests the man could be a "repairman." At 1.00 in the morning? "The only thing that breaks at that time of the morning," the detective says, "are the hearts of men like us." Fitting every scrap of evidence into his now increasingly suspicious mind, Claude...

Author: By Clark J. Freshman, | Title: Hilarious Marriage | 2/17/1984 | See Source »

...male; French films are female. Hollywood has always been a tough-guy's town, with its strutting moguls and its smile-when-you-call-me-an-artist directors. And the virtues it has traditionally valued are masculine ones: energy, efficiency, power, animus, each melodramatic plot resolved with a sock to the jaw. From French films one has come to expect delicacy, grace, comradely tenderness, a ruminative intelligence. Their directors seem to inhabit an exalted sorority where girlish high spirits, sage whispers and rueful endearments reverberate in the hallways. So leave it to French Film Maker Diane Kurys to devise...

Author: /time Magazine | Title: Cinema: Woman Talk | 1/30/1984 | See Source »

...sound track, which finds just the right comic or dramatic settings for such fine '60s songs as You Can't Always Get What You Want, Good Lovin', Ain 't Too Proud to Beg and A Natural Woman. Indeed, the entire film is a kind of sock-hop benefit for Approaching Middle Age. This maturing generation never played Taps with such glamour or good humor. Play the music and let the big chill-the knowledge that "we're all alone out there, and we're going out there tomorrow"-melt away in the warmth...

Author: /time Magazine | Title: Cinema: You Get What You Need | 9/12/1983 | See Source »

...American victims are getting help, or even sympathy. "As a society," says Sociologist Gelles of private violence, "we laugh at this behavior." We should not. But indeed, such behavior is not so completely unthinkable that decent folks do not chuckle when Jackie Gleason's Ralph Kramden angrily threatens to sock his ever-loving wife. "I'm gonna send you to the moon," he barks on The Honeymooners, his clenched fist waving. "To the moon, Alice." But if people on the one hand laugh off private violence, they become raving, sputtering mad about it too. "The pendulum swings to two extremes...

Author: /time Magazine | Title: Private Violence | 9/5/1983 | See Source »

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