Word: soda
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Aesthetic sense demands ironic distance, be it geographic or in time, because what is unconsciously accepted is often also what is most beautiful. This is not a sociological justification of Lichtenstein; although his blow up paintings of comic-book panels, sandwiches and soda-pop, is as lucid and incisive a reflection of American life as any contemporary art. And portrayal of the culture of its origin remains a justification of art. But Lichtenstein's work stands up on its own in purely sensual terms, and also in formal aesthetic terms...
...reality, symbol and representation. Even though we know that the comic-book characters in his paintings are charicatures, the sentiments depicted by the disembodied panels are so overwhelming that we cannot help but participate in the drama. Even though we know that the painting of a sandwich and soda pop is schematic and does not even attempt traditional modelling and shading, our first reaction that it does represent the object is so powerful and so instantaneous that it almost actually becomes the subject...
...some competitors seem to be unwittingly helping the brewers: soft-drink makers have posted such huge price increases that in California and some other areas, it now costs little more to pick up a six-pack of a popular beer than to buy a six-pack of name-brand soda...
Poor old Mussorgsky: Rimsky-Korsakov doctored Boris Godunov almost beyond recognition, Stokowski mauled A Night on Bald Mountain, and now Tomita has repainted Pictures. It is a marvel that the original music has the strength to stand up to this kind of dilution, like a good Scotch to soda. Tomita's Pictures is no threat to Sviatoslav Richter's classic version of Mussorgsky's piano original, or the Toscanini interpretation of the expert Ravel orchestration. What Tomita does is pop art pure and simple. It is benevolent caricature, a funny-paper treatment of the classics for those...
...paradox of the man turns out to be as fascinating to dance fans as the miracle of the artist in flight. Offstage he broods aloud about the "moral preparation" and asceticism that he insists are as important to the dancer as physical training -while avidly sipping a Scotch and soda and smoking cigarettes. He thinks of himself as a loner, "a wolf lost from the pack," but he is perhaps another kind of wolf as well. He has conducted affairs with several women-among them, dancers he has worked with-since arriving in the West last summer. He ended...