Word: soft
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Dates: during 1960-1969
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Involved blacks are well aware of the meagre results of community control campaign, and a new note of pessimism has slipped in to the rhetoric of some community activists. "In Ocean Hill," says Fred Holliday, an intense, soft-spoken black who was special assistant to Shedd for two years, "blacks proved the white man isn't giving up any power." And Toye Lewis, Education coordinator for the New Urban League in Boston calmly echoes his words: "I don't think we're going to be able to achieve in major cities any semblance of community control...
...moved her canvas onto the floor and began to use her shoulder rather than her wrist, employed paint cans rather than palettes, and a sponge as well as a brush. With a few minor variations, she still uses the technique today. It enables her to play unendingly with soft, airy, graceful forms...
...phone rings constantly, and Righter?who has never bothered with people's names?spends much of his time in a soft-voiced swivet of "Oh, Moonchild,-I'm happy to tell you that this is a very good day for you." "Hello, Taurus. Yes, sign the contracts day after tomorrow, not before." "Well, Capricorn, I've been expecting your call. I'm pleased that it worked out well, but I'm not surprised. Remember me to Aries." At night he keeps a file of his principal clients' charts by his bed for ready consultation at 2:30 a.m. when...
...Though they do not lug revolvers and they frequently debate quitting the force, the Mod Squadders are in fact good TV cops. When they catch a criminal, usually after a long chase, they beat him up as thoroughly as do the toughest TV heroes. Nor is the series always soft on hippies. In one episode, the Modders go to the aid of an underground paper only to discover that the scheming hippie editor had bombed and wrecked the paper himself to attract publicity and expose "police indifference." Still, the actors try for a modicum of realism. When one script called...
Each film by François Truffaut is a paradigm of innocence. The 400 Blows and Jules and Jim were about the destruction of innocence. Shoot the Piano Player and The Soft Skin described its dangers, and Fahrenheit 451 was its vindication. Even last year's The Bride Wore Black (TIME, July 5), a hard-edged homage to Hitchcock, contained much of the director's characteristic compassion for its driven, doomed characters. Stolen Kisses is Truffaut's newest and gentlest film, a lovely memory of adolescence that begins with the delight of youth and ends with...