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Word: soft (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Plastic as Plastic never forced significance on the viewer. A lot of it showed that besides being beautiful, plastics could be a lot of fun. One soft polyurethane foam sphere (37" diameter) turns into a chair when you sit on it. A small gallery has clothes and jewelry--everything from a very uncomfortable pair of clear lucite clog-sandals, to a Medusa-esque necklace of fluorescent acetate strips. More for Christmas giving were the translucent amber boots (vinylite) by Herbert Levine, who supposedly manufactures for I. Miller, and chunky, colorful Plexiglas rings, available at Bonniers. And for would-be travelers...

Author: By Deborah R. Waroff, | Title: Plastic As Plastic | 12/10/1968 | See Source »

Ultimate Sin. Tall and deliberate, Galamian, 65, sits there in his white wooden chair, taking everything in with stern, searching eyes. His Russian-accented speech is soft, and the softer it gets the more ominous it can be. When a student commits the ultimate sin-wasting Galamian's time by showing up unprepared-they say he whispers a single word: "Leave." Ivan the Terrible...

Author: /time Magazine | Title: Violinists: Cry Now, Play Later | 12/6/1968 | See Source »

...broken line and the ingratiating curve. Nothing is rigid and antiseptic. Masculinity and femininity thrust, parry, yield and wed in a superlative marriage of craft and art. The main theater itself, a semicircular urn of intimacy seating 798, is a kind of womb with seats. Decked out in soft brown and nuzzling together like cattle, the rows of theater seats are concentrated reminders that the playgoer is in an edifice indigenous to the Southwest, a vivid memory link with the adobe hut and the Alamo. Aided by the Ford Foundation ($2,400,000) and bolstering that grant with...

Author: /time Magazine | Title: Repertory: The Playhouse Is the Thing | 12/6/1968 | See Source »

...atom bomb, in Hulten's opinion, helped to turn artists away in disgust from technological subject matter. But by the late 1950s, the machine was beginning to attract a new following. This postwar generation could treat a machine with easy familiarity. Claes Oldenburg's liquidly drooping Giant Soft Fan is, among other things, a gently nostalgic evocation of times past -since, after all, air conditioning is more common nowadays. Jean Tinguely's joyous black Rotozaza, No. 1 tosses out colored balls and then sucks them back in again, a mystifying process intended as a sardonic parody...

Author: /time Magazine | Title: Exhibitions: Love, Hate & the Machine | 12/6/1968 | See Source »

Like Balthazar B, James Patrick Donleavy, who is currently on a U.S. lecture tour, is a shy man with fine features and a soft, halting voice. And like Balthazar, he compensates for his shyness with a bold appearance, in this case, a scraggly Van Gogh kind of beard, heavy tweeds and knickers (augmented in foul weather by a cape and a Sherlock Holmes hat), and a walking stick. To all outward appearances, then, he seems like a turn-of-the-century product of the British Isles. In fact, he was born in Brooklyn of Irish parents...

Author: /time Magazine | Title: Books: Seduced and Abandoned | 12/6/1968 | See Source »

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