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...after playing a teenager for four years, Brody plays the leading-man version of that guy in the $10 million picture In the Land of Women, which opens April 20. As a pouty, heartsick soft-porn screenwriter who moves to Michigan to take care of his grandmother, Brody winds up making out with both the hot mom across the street (Meg Ryan) and her teenage daughter (Kristen Stewart). And somehow he does something that creepy while still seeming like a really nice guy. The same innocent charm made him an US magazine fixture as The O.C's breakout star...

Author: /time Magazine | Title: Looking for Mr. Adorkable | 4/12/2007 | See Source »

...Smith and then the lead in In the Land of Women. He wants to prove himself movieworthy, within limits. "I'm not going to rob banks and smoke crack to prove how not-television I am," he says. He's just going to smoke cigarettes, write soft porn and make out with moms and their daughters. Baby steps...

Author: /time Magazine | Title: Looking for Mr. Adorkable | 4/12/2007 | See Source »

...second address: www.hongkongharvard.com. Having landed its corner of the World Wide Web early last fall, the Kong Web site is a surreal vision of elegance and class. In place of shady clientele and garishly-lit tables are a handful of carefree twenty-somethings sipping scorpion bowls in soft candlelight. “It’s definitely sexy,” says Web designer Darrin F. Samaha, creator of the restaurant’s cyber identity. His firm, Blue Coda, counts the Harvard Square Business Association, Gino’s Salon on Holyoke Street, and the Expository Writing department among...

Author: By Jennifer L. Ames, CONTRIBUTING WRITER | Title: The Kong Goes Classy-ish | 4/11/2007 | See Source »

With a big serve and soft volleys, the junior has turned a mid-winter cold spell into a spring thaw that has swept away nine of his last 11 singles opponents and eight of his last 11 doubles foes...

Author: By Jonathan B. Steinman, CRIMSON STAFF WRITER | Title: ATHLETE OF THE WEEK: Kumar Overcomes ‘Dark Side’ in Win | 4/10/2007 | See Source »

...delivering most of her lines in a low-pitched shout that fades to a growl, one which seems occasionally excessive until the play’s final scenes. When Lucie is dead, she moves gracefully. Her hair, previously bound in a bandana, is set free, and her voice is soft and happy. This contrast makes all the preceding acting choices understandable and adds to the play’s elegiac feel...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Cryptic ‘Cabrol’ at Mainstage | 4/9/2007 | See Source »

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