Word: sogg
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...emphasized the somberness of the text at the expense of its pain. Accompanist Marian Whitney was wooden and occasionally bumbling. The solo varied from Lila Woodruff's supple Vidit suum dulcem natum to Sharon Price's tentative, poorly-pitched Fac, ut portem Christic mortem; Gay Sa'adah and Phyllis Sogg performed quite capably...
...Richard Sogg '52, stole the show in the first B.S.O. performance of Vaughn Williams' Fantasia on the Old 104th Psalm Tune. This is the same work that created such a tremendous impression when played by Harvard and Radcliffe musicians in Sanders Theatre last month. Sogg handled the pyrotechnics of the piano part with understanding and showmanship. He didn't sound quite as exciting as he did last month, but that might have been due to the more vital orchestral accompaniment, or to the less brilliant tone of the Baldwin piano. The Radcliffe Choral Society and Harvard Glee Club were perfect...
Woodworth will conduct Mozart's Symphony number 34 in C. major. Richard L. Sogg '52 will play the solo in Williams' Fantasia on the 104th Psaim, written for planoforte accompanied by chorus and orchestra...
...dramatic abandon for all concerned. The performers, supposedly the largest assemblage of musicians in Sanders Theatre's history, sounded truly jubilant. The final "Prayse ye the Lorde's name," sung fortissimo with cymbals and brass blaring in the orchestra, drew cheers even before the theatre had stopped reverberating. Richard Sogg '52, deserves special credit for his energetic playing of the exacting, and exhausting, piano part...
...Robert S. Bockwith '52 and Robert J. Gartside, Jr. '50 will sing with 36 girls from the Radcliffe Choral Society. Howard M. Brown '51 will play the flute solo of the piece. The other accompanists will be Andrew McC. Heath '50, Robert G. Wolverton '53, and Richard L. Sogg...