Word: soho
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Dates: during 1990-1999
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...Wait, crooning, "have you ever been looked at by your past and it will never let you go." You get the impression that the members of Rancid weren't perfectly aware of what they were getting into by releasing the modern rock smashes "Salvation," "Time Bomb" and "Ruby Soho." Playing into the system isn't a respectable gesture in theunderground punk scene where the band was born:"Backslide" is the retrospective self-analysis inRancidspeak to explain the misgivings away...
...roommates and I had such high hopes about apartment hunting in New York. We would find a convertible four-bed-room loft in SoHo with a concierge for a reasonable price. Being from New York, I knew a little bit more about how difficult and expensive finding an apartment really was, but I was not prepared for the laughs and scoffs from different brokers who told us it would be impossible to find such a place, or any place for four people...
...while Dr. K enjoyed checking out the virile new stock, the old stand-by's couldn't be ignored. Weary from her shopping trip to Europe, Dr. K could hardly rest her Manolo Blahnik sling-back clad feet. After all, Indochine, 147, The Four Seasons, Life and the Soho Grand were calling. Oy stress! While Dr. K certainly made the rounds, she skipped over the get together at Flamingo East. Good thing too because rumor has it that the Visionaire event hosted by Gucci goon Tom Ford was a total flop-o-la! All in all, Dr. Know...
...remain anonymous) and I exchanged delirious conversation on everything but. We talked about plans for next year, which, believe it or not--and if you're a senior, you'll believe it--produce less angst than talk of The Obvious. The discussion ranged from professors' sexual habits to Soho, and spring break (the end all and be all, the Nirvana into which------writers will emerge) to summer revelry. But never once did we mention The Obvious...
...retrospective show of the work of Robert Rauschenberg, which fills the uptown and SoHo branches of New York City's Guggenheim Museum and, as if that were not enough, the Ace Gallery in SoHo as well, is too big, too profuse, too sprawling--too damned much all round--to take in with any sort of ease. Curated by Walter Hopps and Susan Davidson, its bulk (some 400 works in all media) creates the fatigued impression that everything in Rauschenberg's vast and uneven output has been dumped into the hopper and left for the individual viewer to sort out. Which...