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...Jennifer Beals) and her chums put on a sexy, high-tech floor show that could exist only in Wayne Newton's dreams. One after another, lithe stunners display terrific muscle tone in discreet rock-'n'-roll stripteases. Alex lives in a loft about the size of SoHo, where she rehearses her dream: to win a job with the local ballet company. She gets it, helped by some slow-motion and quick-cut camera effects-and by an unbilled French dancer who played stunt double for some of Beals...

Author: /time Magazine | Title: Cinema: Manufacturing a Multimedia Hit | 5/9/1983 | See Source »

Lowell batted first and--led by the hitting of Michael Brendt, with 15 runs--accumulated its 70 runs before SoHo bowlers Mike Bird and Ted Pierre were able to retire the side...

Author: NO WRITER ATTRIBUTED | Title: Scoreboard | 5/9/1983 | See Source »

After refreshments of tea, cucumber sandwiches and strawberries. South took the field for its times at bat. The first half of the SoHo order proved ineffective against Lowell bowlers Brendt and Bruce Wader. However, the latter half of the order, anchored by the Caribbean connection of Bird and Marcus Clarkus, proved more effective. Behind the batting of Bird, with 21 runs, and Clarkus, with 24 runs, South eventually went ahead for the victory and a 2-1 lead in the series...

Author: NO WRITER ATTRIBUTED | Title: Scoreboard | 5/9/1983 | See Source »

...performance artist Laurie Anderson in an essay ostensibly about "Women Composers," he immediately casts doubt over his choice of women by stating," some artists suddenly become trendy and hot. They may sustain their recognition, of they may slip from view. At this writing, about the hottest, trendiest artist in SoHo is Laurie Anderson." Later in the essay he accomplishes the almost impossible task of negating one of his statements in the same sentence. "But her wit clearly entrances her audiences, and has helped secure her reputation. So has the very fact that she is a woman, although that alone explains...

Author: NO WRITER ATTRIBUTED | Title: The Beat Stops Here | 4/19/1983 | See Source »

There were three one-man shows on the itinerary of most gallerygoers in New York City's SoHo area last month: Robert Longo, David Salle and Gérard Garouste. Taken together, they were fairly instructive. Here are three rising, though by no means certified, reputations; yet their success seems tinged with panic. They are all young (Longo is 30, Salle 31, and Garouste 37) and, of course, figurative - the pendulum of taste having now swung so far that it is practically impossible to have a rising reputation if you are a new abstract painter. Each...

Author: /time Magazine | Title: Art: Three from the Image Machine | 3/14/1983 | See Source »

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