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...Godard's La Chinoise). To make things simpler, I eliminate European films made over two years ago but released in New York during 1967. Andrew Sarris has included Bunuels' Exterminating Angel and Renoir's Boudou saved From Drowning on his list; I would also mention Godard's Le Petit Soldat and Marker's Le Mystere Koumiko, were they eligible under my own rules. The films are listed in order of personal preference...

Author: By Tim Hunter, | Title: The Ten Best Film of 1967 | 1/5/1968 | See Source »

...cares if Leon Kirchner did not phrase the last movement of the Mozart Eb major piano quartet as if it began on an upbeat? And what if Jaime Laredo did force a bit in the suite from Stravinsky's L'histoire du Soldat? And if the Schoenberg Suite Op. 29 is a little hard to take on first hearing, for petesake go listen to it again...

Author: By Robert G. Kopelson, | Title: Leon Kirchner and Chamber Ensemble | 8/1/1967 | See Source »

This can be most readily seen in the phenomenon of Harvard musical stage productions. Since Cosi fantutte at Leverett two years ago, there has been a steady escalation in the size and difficulty of productions. Last year there were productions of Stravinsky's L'Histoire du Soldat. Mozart's Don Giovanni and Britten's The Turn of the Screw: this year it was hard to decide whether to be more impressed by Leverett's production of The Marriage of Figaro or the Bach Society-Music Club concert performance of Fidelio. The more ambitions these projects become, the more time, money...

Author: By Robert G. Kopelson, | Title: Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight | 6/15/1967 | See Source »

Ever since Mozart's Cosi Fan tutte was produced at Leverett House two years ago, musical theatre at Harvard has suffered from a bad case of escalation. L'Histoire du Soldat, Don Giovanni; and The Marriage of Figaro followed-in quick succession, and one shuddered to think where Harvard musicians would go from there...

Author: NO WRITER ATTRIBUTED | Title: Fidelio | 5/9/1967 | See Source »

About 2,500 people turned up for the grand performance (leaving 500 seats vacant in the Opera House), but for all the brilliant sets and Stravinsky's authoritative conducting, Soldat came off a trifle ragged in places. Which did nothing to discourage Director Ross. Stravinsky and the other stars won't be along, but soon Ross plans to pack up the Steinberg sets and a company of his regular troops to tour with Soldat throughout the state's mining towns, lumber camps and Indian reservations...

Author: /time Magazine | Title: Opera: Seattle's Soldat | 3/10/1967 | See Source »

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