Word: soldier
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Dates: during 2000-2009
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...genius makes his own rules; a soldier isn't supposed to. Before examining the suspect car, James doffs his space suit; at this close range it won't offer much protection. ("If I'm gonna die, I'm gonna be comfortable.") More recklessly, he tosses his headset on the ground, so he doesn't have to hear Sanborn's pleas to get the hell out of there. Groups of men have gathered at storefronts, on the balconies and roofs of apartment houses, and James' lone-gunman bravado could jeopardize the mission. But a genius has to stay focused. There...
...supernatural issues. She can read people's minds, making daily life a minefield of too much information. When the bar gets its first vamp visitor, 173-year-old Bill Compton (Stephen Moyer), she takes a shine to him, not just for his smoky looks or his undead-Confederate-soldier courtliness: to her relief, she can't read his thoughts. Their romance unnerves her friends and coworkers, though, particularly when women start turning up dead with twin puncture wounds...
...them. When, for example, the maitre d' in that Prague restaurant makes a bold subversive gesture to the occupying Nazis, Jan is sympathetic. But he does not take a stand with the man who has been his friend and mentor. He is, in effect, the heir to "The Good Soldier Schweik," anti-hero of the classic novel by Jaroslav Hasek, which is the Czech anti-epic...
...Afghanistan Your cover showed a soldier standing near a gun emplacement [July 28]. A better photo would have been the one in Rory Stewart's article, in which two Kabul residents are holding hands as they cross an incomplete bridge. That picture more closely represents what is likely to help Afghanistan achieve its rightful future of peace and stability: a helping hand. Piyoosh Kotecha, BRISBANE, AUSTRALIA...
...famous 1957 essay, "Underground Films," Manny argued that "the true masters of the male action film - such soldier-cowboy-gangster directors as Raoul Walsh, Howard Hawks, William Wellman, William Keighley, the early, pre-Stagecoach John Ford, Anthony Mann" - deserved a higher place in the cinema canon than the big-theme directors who won Oscars and the praise of mainstream reviewers. He praised Hawks especially "because he shows a maximum speed, inner life, and view, with the least amount of flat foot." Manny's celebration of action directors took a while to kick in - it had to be doubled or seconded...