Word: soldierly
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Dates: during 1950-1959
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...final sequence is the most frankly chauvinistic and the least convincing: hard-bitten Arieh Lavi captures a wounded Egyptian soldier whom he then discovers to be an ex-Nazi officer. Except for this flawed sequence, Britain's Director Thorold (Angel Street) Dickinson has imaginatively caught the almost tribal ferocity of a small...
...huge mechanical diggers that can scoop out a regulation 5-by-3-by-8-ft. hole in eight minutes. One man has the sole duty of patrolling the cemetery endlessly to remove withered wreaths and fading flowers from the markers. From neighboring Fort Myer, 60-odd husky, white-gloved soldiers act as pallbearers, buglers, riflemen (to fire a farewell volley into the air at every military burial) and 24-hour-a-day sentries at the Tomb of the Unknown Soldier. Arlington's population is growing at the rate of 75 funerals a week...
...simple tomb at Arlington, of white Colorado marble, encloses the body of an un identified American soldier who fell in France during World War I. The body was selected from four unknown soldiers in the city hall at Chalons-sur-Marne by Army Sergeant Edward F. Younger, a twice-wounded veteran, who marched past the four caskets, dropped a spray of roses onto the second. "I passed the first one ... the second. Then something made me stop," said Sergeant Younger (who is him self now buried at Arlington). "And a voice seemed to say, 'This...
...River Thames around Painter Spencer's small native Berkshire village of Cookham (pop. 5,900) 27 miles west of London. Burning Bush. The son of a church organist Spencer got his training at London's Slade School of Fine Art, served as a medical corpsman and infantry soldier in World War I before returning to Cookham. It was in Cookham that Spencer had his day of revelation: "Quite suddenly I became aware that everything was full of special meaning, and this made everything holy. The instinct of Moses to take off his shoes when he saw the burning...
...insane. After discharge Grosz found the subject that made his reputation: the postwar nightmare of inflation-ridden Berlin. Grosz glared at the world with jaundiced, penetrating eye, set down the characters he saw in portraits etched in gall: frozen-faced Prussian officers, lecherous, high-collared industrialists, black-marketeers, mutilated soldiers, and the city's frumpish, lard-fleshed whores. Perversely, the rich enjoyed their own caricatures. But when the Nazis took over, they were not so understanding; Grosz's savage anti-Hitler cartoons soon earned him a place at the top of their list of decadent painters. The Reluctant...