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...former U.S. soldier who served in Iraq, I am ashamed of the abuse inflicted on Abu Ghraib prisoners by American troops [May 17]. The actions shown in the photographs were deliberate, and the soldiers' excuse that they were simply following orders is absurd. Every U.S. service member has the right to decline an order that is morally wrong. All the proper training in the world cannot replace a lack of morals. This scandal undermines everything that I and many others did to help the Iraqi people. Ross Edwards Palatine...

Author: /time Magazine | Title: Letters | 6/7/2004 | See Source »

...boldness and intrepid courage of the men that stand out. One can read biographies of Dwight Eisenhower or watch film footage shot by John Ford, but the only way to understand D-day, the largest invasion force ever assembled, is as a battle at its smallest: that is, one soldier and one reminiscence at a time...

Author: /time Magazine | Title: D-Day: What They Saw When They Landed | 5/31/2004 | See Source »

...while keeping the sensibilities of our readers in mind. We faced that issue in 1983, when we covered the invasion of Grenada and the suicide bombing of the Marine barracks in Lebanon, and in 1993, when Somali rebels ambushed U.S. troops and dragged the body of an American soldier through the streets of Mogadishu. In each case, we ran photographs that upset some readers but refrained from publishing the most brutal ones. We felt that what we presented to our readers did justice to the tragedies, but not in a gratuitous...

Author: /time Magazine | Title: Brokering the Power of the Image | 5/31/2004 | See Source »

...just a matter of when to show the body of a dead American soldier; we've wrestled with what is appropriate to show when covering the carnage in Rwanda in the mid-1990s, when hundreds of thousands of Tutsi were massacred by the Hutu, and during the recent uprising in Haiti, when I viewed photographs of bodies piled up in morgues that were among the most unsettling images I've ever seen. (In that particular case, photographs of the chaos on Port-au-Prince's streets were so vivid that I chose to use them to illustrate the story...

Author: /time Magazine | Title: Brokering the Power of the Image | 5/31/2004 | See Source »

Moore's work here is to show the corruptive influence of the war in Iraq: coarsening some Americans abroad, killing others. The film contains previously unseen footage of U.S. soldiers' abuse of Iraqi detainees last Christmas Eve. Toward the end, Moore returns home to Flint to grieve with the parents of a dead soldier, then goes to Washington in a quixotic attempt to badger members of Congress into volunteering their sons and daughters for military service...

Author: /time Magazine | Title: Movies: The Art of Burning Bush | 5/31/2004 | See Source »

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