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Such opinions don’t stray too far from historical debates over the purpose of art. It wasn’t too long ago that some philosophers, such as Georg Hegel, deemed the sole function of art as a way to convey the Spirit of God in visual terms. Its ultimate purpose, in his opinion, was to disappear entirely once mortals were enlightened with the Spirit. Plato himself believed in the eternal existence within the subjects of a work as an imitation of a phenomenal world...

Author: By Thea S. Morton | Title: In Defense of Art | 11/4/2005 | See Source »

This may be happening, but it did not happen after his parody. Yasin, for one, has focused on The Salient’s tactics and not its message. “If their sole goal is attention,” he says, “they sound kinda like a selfish child...

Author: By Beau C. Robicheaux, CONTRIBUTING WRITER | Title: DOOR DROPPED: How to Start a Fight | 11/3/2005 | See Source »

...awareness of the risks of excessive alcohol consumption in Mather that would be both informative and fun,” Jones wrote. “We did not want this event to be preachy [or] pedantic, so we decided against bringing in a speaker, or throwing an event whose sole focus was alcohol awareness.” Director of Alcohol and Substance Abuse Services Ryan M. Travia said that focusing on alcohol awareness during the Mather open house is “not part of any larger, intentional efforts.” He said that his office did attempt...

Author: By Matthew S. Lebowitz, CRIMSON STAFF WRITER | Title: Mather HoCo To Address Drinking | 11/1/2005 | See Source »

...Down),” Berman proves himself both a learned poet and a skilled parodist by reformulating Andrew Marvell’s “To His Coy Mistress” as a jangly, banjo-driven, pop trifle. “Tanglewood” isn’t solely a showcase for Berman’s dexterous lyricism: the Jews are a dynamic and cohesive musical unit. The band began as a collaboration between Berman and Pavement mastermind Stephen Malkmus, but this lineup includes such luminaries as bassist Paz Lenchantin (of Zwan and A Perfect Circle fame) and singer-songwriter...

Author: By Bernard L. Parham, CRIMSON STAFF WRITER | Title: Tanglewood Numbers | 10/27/2005 | See Source »

...Broken Social Scene’s “You Forgot It In People”, and then gives it a 9.2 rating, all of a sudden, anyone with a dialup connection can hear about it and seek it out. The good, non-commercial music is no longer the sole domain of the chumps...

Author: By Henry M. Cowles and Abe J. Riesman, CRIMSON STAFF WRITERSS | Title: Pitchforkmedia: Mass Opinion Generator or Invaluable Indie Resource? | 10/20/2005 | See Source »

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