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...Such is the power of charm to unhinge righteous principle. And such is the power of very solid genre filmmaking to disarm an audience's disbelief. Westerns, as we all know, are a disused movie form, and part of this film's appeal lies simply in returning us to the thrilling days of yesteryear, to the beauty of spare narrative played out in a stark landscape. 3:10 is, of course, a remake of the 1958 movie that starred Van Heflin and Glenn Ford, which was, in my opinion, not as good as a lot of people thought, mostly because...

Author: /time Magazine | Title: The Perfect Time for 3:10 to Yuma | 9/7/2007 | See Source »

...Americans sense intuitively that Iraq has a way of reducing what was once solid and certain into sand. Lawmakers from both parties expected September to be a month of reckoning for the President's Iraq policy - a stop-or-go moment when the U.S. would decide whether to continue the surge or begin an inevitable pullback. But even before Petraeus and Ambassador Ryan Crocker utter a word to Congress, that debate looks almost moot. Bush appears ready to continue the surge for another six months or so, and the Democrats lack the votes to check him. So what will unfold...

Author: /time Magazine | Title: Moment Of Truth in Iraq | 9/6/2007 | See Source »

...Kane's migration was more conventional, but no less difficult. Having moved to France with his wife, he found it hard to acclimatize and struggled to get solid work. Busking in the Paris subways to make ends meet, Kane got his big break when he was spotted by an organizer of Mali's legendary Festival in the Desert. The annual event has attained something of iconic status in the eyes of African music connoisseurs. Set in the dunes of the Sahara, several hours' drive from the nearest town of Timbuktu, the festival attracts an array of world-music talent, both...

Author: /time Magazine | Title: Mixing Music and Politics in Africa | 9/4/2007 | See Source »

...Nable, who cracked first grade in the 1990s, brings an ex-footballer's knowledge and instincts to the task. The players in the film look the part: solid and gnarled, though not chiseled like the pros of today. "It was the aesthetic of the players back then," says Nable, "that even if they were very young, they looked like men." The clubs are real, but the characters don't invoke the names of champions of the era: there are no excruciating pleas to "Stop Reddy" or "Thump Sterling." Sprawling Henson Park, frozen in time on the fringe...

Author: /time Magazine | Title: Footy for Thought | 8/31/2007 | See Source »

...face of the Master Chief is never revealed. His visor is solid reflective gold, like the faceplates of the Apollo astronauts. Halo 's designers see the Master Chief's facelessness as a dramatic device, a way of allowing players to place themselves in the game's leading role, to map their own faces onto that of a blank protagonist. "If he takes off the helmet, he should be you," says Marty O'Donnell, Halo 's audio director. "I mean, that's the big deal. Taking off the helmet is unacceptable." Engineering lead Chris Butcher agrees: "It's your experience...

Author: /time Magazine | Title: Video Games: The Man in the Mask | 8/30/2007 | See Source »

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