Word: soliloquys
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Dates: during 1990-1999
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...shoulders of another. Throughout the play, Egan remains the most believable. In spite of the attempt to detract from the religious overtones, it would be difficult to not symphatize with Dr. Faustus in his final attempt for redemption. Here, director McClelland '02 divvied up Faustus's last soliloquy to the cast who in some literal and figurative sense stole Fautus's final plea for God. Equally appropriate was McClelland's decision to impart the additional role of Chorus to vigilant Lucifer (Peter Richards '01), giving the Devil the first and final words. Although Marlowe probably intended to have the conclusion...
...becomes a sort of tragic hero, bound to the stereotype of the Jewish usurer, who can only mourn the loss of his daughter by mourning the money she takes with her in her flight. Foley commands the attention of his audience, charging his "hath not a Jew eyes" soliloquy with a vindictive conviction, skillfully opening up Shylock as a man who has learned hatred from hatred; whose suffering is channeled into vengeance...
...play begins powerfully, as the first Richard (Monteleoni) crouches in an eerie green light in the center of the stage and delivers the difficult "I shall prove myself a villain" soliloquy with a brilliant sense of introverted evil. The first Richard, the so-called Master of Ceremonies, hobbles around the stage in a whirlwind of action, murdering his way to the English throne. Monteleoni's performance is particularly pointed during Richard's outrageous, paradoxical, yet effective, seduction of Lady Anne (Amy Piper '99), who plays her role with convincing passion, reacting to the death of her husband at the hands...
...comes as no surprise that she was a social outcast in high school and subsequently built a psychological cave for herself that has relegated her to being a social outcast for life. As a result, she has, as the movie title proclaims, never been kissed. Yet from her soliloquy at the outset of the film pondering the fantasy of one day discovering the Right Man, we know exactly what will come true by the end of the production. How she gets to that point and the inevitable obstacles she must endure along the way are what make Never Been Kissed...
...larger historical epoch and brilliantly describes the horror of all wars. The arrival of the Advisor (Karin Alexander), interrupting the speech signals the beginning of the denouement of the play; it reproduces on a individual level the horrific, senseless violence that the general recalls in his soliloquy...