Word: solo
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Dates: during 1950-1959
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...knows the Atlantic almost as well as his own washbowl. Grandpa Max Conrad, 57, who has crossed that ocean 56 times on solo flights in light aircraft, set down at Washington's Army and Navy Club to get a yard-high, gold-plated trophy honoring two recent record long-distance hops. To a bug-eyed audience he told an eye-bugging tale of a slight mishap on his nonstop flight from Casablanca to Los Angeles (7,688.48 mi.) last June, when he spent a sleepless 58 hr. 38 min. in the cockpit of a single-engined Piper Comanche. Just...
...that the orchestra becomes part of the drama. In last week's performance (which marked the U.S. debut of opulent-voiced Dutch Soprano Gré Brouwenstijn) Jenufa proved to be as haunting a work as Alban Berg's Wozzek (TIME, March 16). From its ominous opening xylophone solo to the final burst of harp-punctuated melody, the village tragedy unfolded without the benefit of set pieces, ensembles or arias. Heavily percussioned, the orchestra sometimes sank to a rich, nervous whisper flickering through the strings, sometimes burst forth in anguished, brassy cries. Throughout, Janacek's use of exotic...
Died. James Allan Mollison, 54, Scottish aviator, first (in 1932) to fly the Atlantic solo from east to west (in a tiny de Havilland Puss Moth monoplane) ; of pneumonia ; in London. A Royal Air Force pilot while still in his teens, Jimmy Mollison went on to set a flock of post-Lindbergh records, including Australia-England (1931) in 8 days, England-Cape Town (1932) in less than 5, and, with First Wife Amy Johnson Mollison, also a headlined pilot, England-India (1934) in 22 hours (not a record...
...Bach cantata for the next program. At any rate, the Haydn symphony (No. 8) performed on Sunday was charming, if slight, and an interesting example of a classical piece with baroque devices still hanging on. No. 8 is part symphony, part concerto grosso, employing a harpsichord and three solo strings; the solo'cello was played with particular suavity and grace by Lawrence Lesser...
...orchestral accompaniment had its exciting moments, especially as in the extended tutti passages, but it was not an altogether easy collaboration. There had obviously not been enough time to become sure about catching the end of the solo runs, with the result that the last movement sounded grim and dogged and too tense. With regard to the difficult dynamic problems of the slow movement, it is often the case that a relaxed, controlled mezzo-piano will actually sound quieter than the strained tone the full orchestra produced when trying to match the soloist's softest passages. The orchestra fared better...