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Word: solo (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Heroes two and three were incumbents Mike Stenhouse and Mark Bingham, who each donated solo homers to Brown's crusade...

Author: By Bill Scheft, | Title: Brown's One-Hitter Railroads MIT Engineers, 5-0 | 4/12/1978 | See Source »

That is the effect that solo dancing should have. When it worked in this performance, it was usually because Elaine Bauer danced Princess Aurora (she alternated in the title role with Laura Young and Durine Alinova). Elegant, long-limbed and lean as a grasshopper, Bauer is easily the finest ballerina Boston's got. She is not a great dancer: the flow of near-perfect form is missing, and sometimes she moves with an awkward detachment from her body, hands and feet stiff as saucers. But unlike Laura Young, for example (who danced a typically colorless Princess Florise), Bauer focuses...

Author: By Juretta J. Heckscher, | Title: A Flawed 'Beauty' | 4/11/1978 | See Source »

Aurora's is the only solo role that permits any real dramatic subtlety; the other soloists are either stock characters or vehicles of sprightly choreography, with only the vaguest relations to plot. Anamarie Sarazin's Evil Fairy was a gratifyingly serpentine siren, complete with green dragon wings, gaudy sequins and decadent black stockings a la Toulouse-Lautrec; the wedding guests, from Tom Thumb (Tony Catanzaro) to a White Cat (Debra Mili) were equally charming and improbable...

Author: By Juretta J. Heckscher, | Title: A Flawed 'Beauty' | 4/11/1978 | See Source »

Milt Jackson bent and swayed over the vibes Saturday night at the Jazz Workshop, sweating and smiling briefly at the audience every time he finished a solo break. And with every note Milt sounded, the Workshop was one note closer to the end of its 15-year-long stint as Boston's prime center for live entertainment...

Author: By Scott A. Kripke, | Title: Paul's Mall/Workshop Closes; Fifteen Years of Jazz End | 4/10/1978 | See Source »

...fringes: Willie Nelson and Waylon "I Don't Think Hank Done It Thisaway" Jennings were there already, Texas, noses to the ground, developing a sound that relied on electric and accoustic and pedal steel guitars with less and less studio multitrack overdub gibberish and more roadband verisimilitude. Buffett, playing solo bars from New Orleans to Key West, Florida, poured chukka into his roadband sound: drunken-sailor crabby-cowbell filled-in reggae rhythms, compounded with clean country whine-guitars, a baying folkie voice and Greg "Fingers" Taylor's wailing harmonica equals shrimpboat rock. Buffett bottled it quick before it fizzed...

Author: By Tom Blanton, | Title: And Texas Hidden Deep In My Heart | 4/8/1978 | See Source »

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