Word: solo
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Dates: during 1970-1979
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...individualistic as those Townshend compositions are, they remain a group statement. Townshend, who has no use for modesty, insists, "I can still use The Who more effectively to speak to people heart to heart than I ever could on a solo album." Daltrey observes, "Did you ever notice that nobody ever does Townshend's songs? The Who are the only people who can play them. That's one reason we've survived. None of us is very good on his own. It's only as part of The Who that we're great...
...failed to show up for a sold-out concert in Boston and, Daltrey says, "Pete never forgave him." Townshend and Daltrey had wrangled bitterly over Quadrophenia, and during the first half of the '70s each member of the band had spent as much time on his own solo projects as he had on band activities. Each put out at least one solo album. By 1976 the band had effectively stopped touring, and there were rumors that it had collapsed...
...group would be here if Keith hadn't died," Townshend says, and the others agree. "We certainly wouldn't be doing the kind of things we're doing now." He means not only making plans, which include for the next year a new Who album, Townshend and Entwistle solo efforts, two more mini-tours of the States, a handful of further film projects, including a Daltrey star role as an English con called Me Vicar, and the elusive Lifehouse. He also means making the kind of music that sets the standard and makes The Who the band to beat...
...attempts to imitate Keith Jarret's flourishes. The arrangements do nothing to cover for Hubgaucheries. To evoke Arabia, Hubbard gives us Bedouin ritual music, calling up wailing strings. For a picture of Siberian wilderness, we hear martial strains reminiscent of the Dr. Zhivago score, followed by a short bouzouki solo...
NOBODY EXPECTED the Eagles to pull this one off. Hotel California, their last album, betrayed a group hesitant to stray from familiar territory, unwilling to explore themes beyond the California fast life, unrequited love and witchy, lying women. And after Hotel California Joe Walsh and Randy Meisner went the solo route, leaving the band treading water in the backwash of the New Wave tide. But somehow the Eagles stayed afloat. Somehow they coaxed Walsh back into the flock, incorporated new themes into their music, and experimented with new sounds. And somehow The Long Run turned out to be a surprisingly...