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Word: soloed (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Famous among U.N. delegations are Lodge's "sing fests," at which he lets go in a sonorous baritone in any of several languages, urges guests to let go, too. Even shy, reserved Secretary-General Hammarskjold has been known to join in a chorus. Lodge's favorite solo: a faintly bawdy ditty called She's a Personal Friend of Mine...

Author: /time Magazine | Title: UNITED NATIONS: The Organized Hope | 8/11/1958 | See Source »

...thought of the perfect acoustics provided by the gently sloping Masson vineyards, in which he has a part interest. (The Masson estate was the scene of Anna Held's notorious champagne bath at the turn of the century.) The Fromms hired the San Francisco Symphony's Solo Violinist Ferenc Molnar (no kin to the late playwright) as series director, promptly sold out 500 folding seats for each of three concerts...

Author: /time Magazine | Title: Music: Aged in the Cask | 8/11/1958 | See Source »

Paul Hindemith's stature as a teacher, composer, and musikwissen-schafter is by this time very well established and the performers Monday night did great justice to his work. In his studies, Hindemith became versed in, and was capable of writing solo works for a varied number of instruments--a facet that the Paine Hall concert well showed...

Author: By Peter Lindenbaum, | Title: Hindemith Concert | 8/7/1958 | See Source »

...Sonata for Viola Solo, Opus 25, No.1, was the first of four pieces from the early 1920's, thus coming from the time before Hindemith was 30 years old. Hindemith, a concert violist himself, was familiar with the sonic abilities of that instrument. The piece was a study in dissonance, brought about by playing on two strings at once. The multiple-stopping was at times very difficult, but Eleftherios Eleftherakis played brilliantly for the most part. The piece and its performance were marked by a great richness of tone and lucidity...

Author: By Peter Lindenbaum, | Title: Hindemith Concert | 8/7/1958 | See Source »

Mary Fraley Johnson played the Sonata for Violoncello Solo, Opus 25, No. 3, in her usual dramatic and vehement manner. This piece is some-what similar to its predecessor from the same opus, but was not nearly so dissonant. It did, however, accentuate the same tonal richness...

Author: By Peter Lindenbaum, | Title: Hindemith Concert | 8/7/1958 | See Source »

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