Word: soloed
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Dates: during 1950-1959
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...when Bach was generally considered a negligible talent. The first movement of the Telemann was a good example of the Baroque convention of using descending chromatic scale fragments to express sadness. In both works, Miss Olson's viol was far too weak, although she was fine in her two solo recercadas by Ortiz. In Baroque music, the bass line cannot be too strong...
...behind him, Miller here has purposely moved closer to it and away from realism. He employs a lawyer, Alfieri, in a double role: as a temperately counseling participant in the action; and as an outside narrator or commentator (like the Greek chorus), set off effectively at Wellesley by a solo flute line in the background. Miller's attempt to insert passages of poetic speech into Alfieri's role does not quite come off, though; and he would do well to dispense with the gimmick of framing the play between "Good evening. Welcome to the theater," and "This...
...lives up to its early promise, the Crusader will be as big a boon to Chance Vought as to the Navy. Splitting off from parent United Aircraft Corp. two years ago, Chance Vought and President Frederick 0. Detweiler, 44, have been through a difficult first solo. The last of C. V.'s famed prop-driven F4U Corsairs came off the line in 1953; bugs and engine trouble held back the Corsair's successor, the big twin-jet F7U Cutlass fighter, with production scheduled to end in late 1955. Though C. V. was also producing the Navy Regulus guided...
...show is based). To suggest the belligerent action of Just You Wait, 'Enery 'Iggins, Producer Lieberson added a drum roll under Julie Andrews' vocal; for the poignance of Rex Harrison's acting during I've Grown Accustomed to Her Face, he added a solo violin playing the tune. The resulting record has an atmosphere all its own and is a delight to the ear-even if the eye must go without the show's magnificent appearance...
After playing solo piano in his own arrangement of Cole Porter tunes under Fiedler's direction, the conductor of the Harvard Band picked up his own baton for a series of Harvard medleys. The modal renditions of College songs were punctuated by the popping of Crimson balloons on the tips of the violinists' bows...