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Word: soloed (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

There was none of the improvised Dixieland so familiar to festivals; nor were there many personal appearances by such great solo showmen as "Satchmo" Armstrong or Gene Krupa. Instead, classics-minded young jazzmen concentrated on the brassy new progressive jazz and the slightly atonal West Coast styles, and played their well-rehearsed arrangements with the cool elegance of conservatory students. Even Stan Kenton's 18-piece (including bongo drums) orchestra had its own smooth brand of progressive beat. But the real stars of the festival were the small, intimate combos that played jazz with a new maturity and subtlety...

Author: /time Magazine | Title: Music: An Island of Jazz | 9/7/1959 | See Source »

...alto sax) made each number sound like a theme and variations. The quartet usually started with well-known tunes (These Foolish Things, St. Louis Blues), then varied the tempo (from 4/4 to 5/4 and back to 3/4) as it injected its own sometimes loud, sometimes soft designs. The solo lead flew like a badminton bird from one musician to the other...

Author: /time Magazine | Title: Music: An Island of Jazz | 9/7/1959 | See Source »

Mark Twain Tonight! The white-mustached, white-suited, cantankerous old hu' morist burns as pungently as his own stogie when Hal Holbrook brings him to life in a brilliant solo...

Author: /time Magazine | Title: CINEMA: Time Listings, Aug. 31, 1959 | 8/31/1959 | See Source »

...remaining items on the program were three works for solo piano, played by Bruce Archibald. Schoenberg's Six Short Piano Pieces, Opus 19 (1911), come from a period when the composed was tired of post-Romanticism but had not yet concretized his twelve-tone technique. After close acquaintance, they still impressed me as no more than undergraduate improvisation despite Archibald's careful rendition...

Author: NO WRITER ATTRIBUTED | Title: Modern Music | 8/13/1959 | See Source »

...Garner, Dorothy Dandridge, Johnny Mathis. Regulars remember how Eleanor Caccienti refused to ring the cash register when Dizzy Gillespie was talking for fear she would miss a joke. (Now the cash registers have no bells.) They recall the night a trombonist lost his pants in the middle of a solo, and the time Drummer Art Blakey belted a cymbal so hard that it bounced onto a ringside table where (according to Gleason) "two worshipers were sitting with eyes closed. They went six feet in the air, straight...

Author: /time Magazine | Title: NIGHTCLUBS: Success in a Sewer | 8/3/1959 | See Source »

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