Search Details

Word: soloed (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...first and only Eliot score came midway in the first half on a solo by center Jorge Henriquez. Calhoun was driving the ball into Crimson territory when right half John Boyd intercepted a pass and gave it off to Henriquez, who went in for the score completely alone. The Calhoun goalie never had a chance...

Author: NO WRITER ATTRIBUTED | Title: Eliot Trounces Bulldogs in Football, Soccer | 11/19/1960 | See Source »

...made the first powered-aircraft flight in Japan, where he is renowned as "the grandfather of flight." "This is my ship," said Benny Foulois proudly, perhaps recalling a memorable day-March 2, 1910-when, as an Army lieutenant, he made his first take off, first solo, first landing and, finally, managed to rack up the U.S.'s first crash of a military aircraft...

Author: /time Magazine | Title: People, Nov. 7, 1960 | 11/7/1960 | See Source »

...Concerto Grosso, Senturia teamed up six bass viols, eight 'celli, and a harpsichord, with a large sized crew of string and wind players. It was a semi-Stokowski reading of Handel, with much contrast between the fervid string group and the more restrained, less impassioned woodwind ensemble. The solo passages occasionally caused problems, as did the corps of basses which mainly served to muddy the sound...

Author: By Ian Strasfogel, | Title: Harvard-Radcliffe Orchestra | 10/29/1960 | See Source »

...those who recall Joan Baez's entrance upon the Cambridge scene late in 1958, her first solo record offers proof that she is moving way out. Just where she will go is not clear, since she is still rather unknown outside of coffee houses, the Gate of Horn, and the Newport Folk Festival. But to those who must listen to folk music, Joan Baez is a welcome combination of robustness of voice, delicacy of expression, and tasteful guitar accompaniment...

Author: By John R. Adler, | Title: Joan Baez | 10/25/1960 | See Source »

...Intermezzo, when the orchestra was silent, that Foss's technique of "controlled chance" came into fullest play. The Foss ensemble was free to improvise -and it did, with some highly interesting results. The instruments traded themes, stitched their own sinewy figurations, advanced and retreated from the solo role...

Author: /time Magazine | Title: Music: Classical Hipsters | 10/24/1960 | See Source »

Previous | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | Next