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Word: soloed (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Handel and Haydn Society, self-styled "America's Premier Chorus and Period Orchestra," features many interesting baroque instruments, several of which shone in solos in L'Allegro. A baroque flute, for example, enjoyed a lovely solo and interchange with Saffer in Part I, marred only by slight stumbling in the first few bars. The instrument, though held and played like a modern flute, is of black enamel, and considerably wider in diameter. Also fascinating were the horns, ancestors to the modern French horn, which had no stops and could only be played in the primary overtone series, manipulated...

Author: By Anriane N. Giebel, CONTRIBUTING WRITER | Title: A Sweet Treat for the Eyes and Ears, Blissful Baroque Comes to Boston | 10/31/1997 | See Source »

...human goodness and nature's wonders; after crashing his homemade fiber-glass plane into Monterey Bay, Calif. Denver's road trips with the Chad Mitchell Trio inspired him to compose Leaving on a Jet Plane, a No. 1 hit for Peter, Paul and Mary in 1969. He went solo with equal success, charming audiences with his lyrical tenor and country-boy appeal. As he crooned Take Me Home, Country Roads and Sunshine on My Shoulders, he seemed to embody the peace-loving ethos of the 1970s. Offstage he was devoted to nature conservation. His squeaky-clean image was sullied...

Author: /time Magazine | Title: Milestones Oct. 27, 1997 | 10/27/1997 | See Source »

Next up was "Youthful Bliss," a McBride original from his recent album as leader, Number Two Express. McBride took great liberties with his solo section, quadruple-timing figures in a way that seemed impossible on such a cumber-some instrument. Throughout it all, the bassist made it look effortless, never belying the technical hurdles he had to overcome in order to play such difficult intervals in such awkward positions. McBride was very much in a groove--toward the end of his solo, Redman interjected with a few notes, as if to indicate it was his turn. Through...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Joshua Redman Trio Electrifies Crowd | 10/24/1997 | See Source »

Besides being able to lend an original feel to old songs, k.d. lang was a master at remaining a real person onstage. During parts of songs when her backup musicians play solo, she gave them her head-swaying, toe-tapping attention. When her fans called out "I love you" during a standing ovation, she responded, "It's mutual." She often let the music get the best of her and improvised dances across the stage. During a rendition of "Miss Chatelaine" from her Ingenue album, lang put the mike down just long enough to do a combination merengue-chacha...

Author: By Erika L. Guckenberger, CONTRIBUTING WRITER | Title: Take a 'Drag': Lang Smokes in Symphony Hall | 10/24/1997 | See Source »

...roles, though ultimately neither can overcome the flawed choreography. Ribeiro, usually "all technique," here proves that she, too, can turn simple steps into flowing movements as she lets her character's emotions make her image softer and more beautiful. In her interactions with the Nurse, and in the crucial solo in which she wavers over whether or not to drink the sleeping potion, Ribeiro both looks and acts like a very young and bewildered girl in love. Armand is perfection as the impetuous, infatuated lover, sustaining five and six pirouettes ending with a balance, landing smoothly from each high jump...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: Wherefore Art My Choreographer? | 10/24/1997 | See Source »

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