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...half-dozen battle-tested guys, led by Draco (that chiseled slab of testosterone Mads Mikkelsen), to confront Medusa and save Argos - that this Clash is a movie of men at work and at war, of hardened soldiers on an impossible mission. This is less the saga of a solo superhero than a paean to male teamwork, in the style of Peter Jackson's The Lord of the Rings, which itself was a homage to classic Hollywood director Howard Hawks (Air Force, Rio Bravo). Perseus is a man's man; he forges his closest bonds first with his adoptive father, then...

Author: /time Magazine | Title: Clash of the Titans: A Hit from a Myth | 4/2/2010 | See Source »

...Then my solo arrived, my very own Soul Train moment. Harvard parties had not prepared me well for this—there was no girl’s bottom to hide behind...

Author: By Alexander J.B. Wells, CONTRIBUTING WRITER | Title: What It Takes To Be a Donkey | 4/1/2010 | See Source »

...hastily scribble something like, “he’s mellowed; he’s not his former, razor-sharp self.” But this is too critical. His drumming rang with every ounce of his vast experience. Perhaps most telling was his playing during a bass solo. Haynes chose to pare his palette down to just one cymbal. Stripped bare with nowhere to hide, he shone with unobtrusive inventiveness, sending the rhythm skittering into ever more complex patterns. Haynes is still very much the real thing...

Author: By Jon J. Andrews, CONTRIBUTING WRITER | Title: Roy Haynes Excels in Birthday Concert | 3/30/2010 | See Source »

...ended with a drum solo that was a pounding frenzy of sound. Haynes finished by leaping up from the kit, as if scalded. The audience’s immediate standing ovation was augmented with an impromptu chorus of “Happy Birthday,” accompanied by the band. “Growing up I couldn’t even think I’d still be living at this age,” said Haynes, in a kind farewell; “It feels like a dream... I love...

Author: By Jon J. Andrews, CONTRIBUTING WRITER | Title: Roy Haynes Excels in Birthday Concert | 3/30/2010 | See Source »

Frustratingly, however, this existential angst is as banal and simplistic as the characters’ blatantly symbolic names, and the play’s drama too often feels shallow. For instance, immediately after Mr. Zero reveals his crime to his wife, a solo musical number follows in which he oh-so-metaphorically wails his woes from a metal chain-link metal half-fence, thrashing about like a caged animal. In this nihilistic moment, his life comes undone. By grasping at threads of multiple modern philosophies, any coherent structure to the play is lost...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Machine’ Fails to Add Up to Success | 3/30/2010 | See Source »

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